All the exquisite glasses and Limoges painted enamels in the Wallace Collection are published together for the first time as part of a new series of catalogues raisonnés. Approximately sixty glasses and thirty painted enamels are showcased within the catalogue, demonstrating both the delicacy of colour and technical superiority of Venetian and Venetian-style glass, as well as the vibrancy and relflective character of Limoges enamels. Of particular significance among the glassware are a calcedonio goblet, a trick-glass tazza and a chalice-shaped goblet enamelled with the Crucifixtion, whilst the finest Limoges enamels are lavishly embellished with religious and secular iconography. More
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This Blessed Plot, This Earth…: English Pottery Studies in Honour of Jonathan Horne
255 pages, hardback, 260 x 216 mm, 140 colour illustrations, Aug 2011
ISBN: 978 1 907372 09 4
Edited by Amanda Dunsmore
This beautifully designed and illustrated book celebrates the career of Jonathan Horne FSA, international authority on English pottery and for forty years a London dealer at the top of his field.
With over thirty essays the book covers a broad range of subjects by specialists from around the world including curators, academics and archaeologists. Subjects include the first pottery in James Fort, America; shipping containers for Atlantic ceramic cargoes; Delftware exports to the West Indies; recent archaeological discoveries in London; an 18th-century duke’s bill for creamware; delftware, stoneware and Jonathan’s Coffee-House; the 16th-century Rheinland stoneware industry in England and William Greatbatch revisited.
Contributors include David Gaimster, Aileen Dawson, Timothy Wilson, Janine Skerry, Leslie Grigsby, Ivor Noël Hume, Gaye Blake Roberts, Jan Daniël van Dam, Jacqueline Pearce, Robin Hildyard and Michael Archer.
Encompassing a broad range of new research this book is a lasting tribute to Jonathan Horne’s many services to English pottery, a subject to which his insight, warmth and scholarship has contributed so much.
"Horne would certainly have enjoyed this book of papers in his honour. As a publisher he would have approved its look and feel as much as its contents." The Times, 17 September 2011
WINNER of The Art Newspaper / AXA Exhibition Catalogue Award 2007. Francesco Xanto Avelli da Rovigo was an intriguing artist who painted some of the most beautiful and fascinating ceramics produced in Renaissance Italy. With surfaces entirely painted with scenes from classical literature, Roman history or the Bible, his dishes were much sought after by the educated elite of his time, and continue to fascinate ceramics enthusiasts today... More
The remarkable collection of eighteenth-century Sèvres porcelain acquired by the Marquesses of Hertford and Sir Richard Wallace between c. 1802 and c. 1875 now forms a distinguished part of The Wallace Collection.It is here catalogued as a set of three volumes - Volume One: Vases, Volume Two: Tea wares, useful wares, biscuit figures and plaques, Volume Three: References, appendices and index. More
Marquetry – creating patterns and pictures through inlaid veneers – has long been recognised as one of the most attractive and sophisticated methods of decoration fine furniture. Illuminating the marvellous world of beauty conjured up by superlative French craftsmen, including André-Charles Boulle, Jean-François Oeben and Jean-Henri Riesener, this book also reveals the technical secrets of this special art form, its sources and history. More
Few realise that gold can be found in Great Britain, and that attempts to exploit native sources have drawn prospectors from ancient Rome to Elizabethan adventurers and current commercial projects in Ireland, Scotland and Wales. In Gold: Power and Allure, eleven essays by distinguished specialists tell of the rich and previously untold story of Britain and its relationship with gold, demonstrating the country's unique golden heritage. Generously illustrated, the book features objects from the Ashmolean Museum, the Louvre, British Museum and Albert and Victoria Museum, amongst others. More
The Wallace Collection has the finest collection of eighteenth-century furniture outside France. Numbering over five hundred pieces, it includes furniture by the greatest Parisian cabinet makers, beginning with André-Charles Boulle and continuing through the major craftsmen of the reigns of Louis XV and Louis XVI. More
Accompanying an exhibition at The Courtauld Gallery, this catalogue explores one of the most important and historically neglected art forms of Renaissance Florence: cassoni – pairs of chests that were lavishly decorated with precious metals and elaborate paintings and were often the most expensive of a whole suite of decorative objects commissioned to celebrate marriage alliances between powerful families. More
The Wallace Collection has some of the finest, and certainly some of the most famous, gold boxes in the world. Paris was the centre of taste in the 18th century and the collection contains a remarkable group of boxes by the greatest goldsmiths of the period: Jean Ducrollay, Pierre-François Drais and Louis Roucel. Charles Truman, who has catalogued the collection of gold boxes, is one of the leading authorities on the subject. In this book he discusses the history of snuff-taking and the development, manufacture and collecting of gold boxes, with a particular emphasis on the design sources from which the craftsmen responsible for these wonderful works of art took their inspiration. More
Johann Christian Neuber (1736–1808) was a goldsmith and mineralogist at the Saxon Court. In 1769 he became director of the Grünes Gewölbe, the magnificent State Treasury, and was appointed court jeweler in 1775. This lavishly illustrated book will give readers their first comprehensive introduction to the master craftsman's oeuvre presenting boxes and other decorative objects from the Grünes Gewölbe, the Metropolitan Museum of Art as well as public and private collections in Germany, France and United States. More
Silver, porcelain and ruby glass seem unlikely bedfellows, yet the objects in the Zilkha Collection are all united by the medium of silver or luxury metalwork. The objects were also made, for the most part, over about a century and a half. All of them tell a fascinating story of the particular circumstances that produced them: a maker, a workshop, a patron. They also tell the wider story of the society that made them necessary or desirable; the science that made them possible; and of their survival down the centuries. More