“I am not a modernist but ... I agree with the modernists in every way except that I think their brand of modernism is not very good.” Raymond Erith looked to achieve what he called the true “economy of means”, using traditional means to create original buildings with progressive ideas behind them. More
The Schroder Collection of Renaissance Silver is among the most important to remain in private hands. Formed between about 1870 and 1930 over two generations of the Anglo-German banking family, it includes outstanding historic objects from England, Germany, Italy and elsewhere. Some of these formally belonged to princely collections such as the royal house of Hanover, the renowned Green Vault from Dresden or the Hollenzohen family. More
This book accompampanies an exhibition in celebration of The Courtauld Institute of Art's 75th anniversary which unites La Loge for the first time with Renoir's other treatments of the subject with the loge paintings by contemporaries, including Mary Cassatt and Edgar Degas. Concentrating on the early yes of Impressionism during the 1870s, the books explores how these artists used the loge to capture the excitement and changing nature of fashionable Parisian society. More
Richard Eurich OBE RA (1903-1992) was one of the greatest British artists of the twentieth century. This book, marking the centenary of his birth, surveys the entire range of his work, from landscapes and seascapes worthy to hang beside Turner or Van de Velde to his individual, enigmatic, quasi-Surrealist figure paintings. More
The Wallace Collection is fortunate to own probably the finest collection in the world of paintings by Richard Parkes Bonington (1802–1828) – ten oils and twenty-five watercolours. They represent most of his major areas of interest, ranging from richly costumed historical scenes to views in France and northern Italy, particularly Venice. More
Best known for a dramatic, layered and visionary urban imagery, Richard Walker (born 1954) is a painter, printmaker and photographer. This unique book is both a kind of autobiography – compiled and written by himself – and a selective catalogue of his work, past and present. More
The castle-style designs and picturesque landscape fantasies of Robert Adam are a much negelected aspect of his work. These paintings and sketches give a vivid scense of the beauty and allure of the landscapes and architecturally by which Adam was romantically fascinated, and which he recreated in some of his most significant commissions - or else on paper. More
The recent rediscovery of Rubens’s Massacre of the Innocents offers an important opportunity to reassess the painter’s early career. Of Rubens’s works immediately following his return to Antwerp in 1608, it is the most assured, achieving a remarkable complexity both compositionally and emotionally. More
Originally painted for the Town Hall in Antwerp in 1609, Rubens's Adoration of the Magi subsequently passed to the King of Spain, and was rediscovered in Madrid by the artist in 1628. He repainted and extended it, in a dialogue with his younger self which this book studies. More
Celebrating the Beckett Centenary. Awarded third prize by The Art Newspaper/Axa Art Prize for best catalogue of the year published in the UK - "admired for the quantity of new material it presented about Beckett himself and the worlds of literature and visual arts". More