This is the catalogue to an outstanding collection of Medieval art from a private collection. Ranging from paintings and sculpture to stained glass, manuscripts and caskets, many of the objects presented here are of absolute rarity, some are previously unpublished and - until recently - unknown. More
Bronze has long been used by sculptors to create complex and beautiful forms, three-dimensional realisations of the most vivid human emotions and experiences. The outstanding collection of European bronze sculptures formed by Peter Marino, here catalogued for the first time and beautifully photographed by Maggie Nimkin, is built around an exploration of the human form, as depicted in this lustrous and sensuous material. More
First published a quarter-century ago in German, Dietrich Seckel’s essay remains a vital contribution to a much-debated feature of Buddhist art, its aniconism, its aversion to depicting spiritual entities of the very highest order. More
From this detailed examination of his life, English sculptor Benjamin Cheverton emerges as an exceptionally talented and interesting man, operating effectively in the fields of both science and art in the early Victorian period. His principal 'profession' was as a producer of reduced-size sculpture, mostly in ivory. More
Greg Tricker is a stone carver and painter. His profound and simple style of painting is deeply rooted in a mystical tradition of art. Qualities of myth, an innocence of spirit akin to the folk art tradition and a powerfully theatrical element feature in his work. This inspiring collection of over 50 of his paintings and stone carvings portrays the suffering, joy and innocence of St Bernadette, a poor shepherdess who had miraculous visitations from the Virgin Mary at Lourdes in 1858. More
The extensively researched, in-depth, full-colour catalogue features a painstaking selection of 19 paintings and 47 'literati-taste' objects. The emphasis of all of them is on the extraordinary range of Chinese figural representation, with its tendency to humanize divine images and idealize secular figures, so that they meet somewhere in the middle as 'informal icons'. More
Almost 200 years ago, William Hunter (1718–1783), founder of the Hunterian Museum, Glasgow, was one of a small number of British art collectors to acquire works by his contemporary Jean-Siméon Chardin. Among these, Woman taking Tea (1735) has become something of an iconic image of French art from this period. It has a pair in a near contemporary painting Madame Boucher (1743) by François Boucher in the Frick Collection, New York. Accompanying an exhibition at the Wallace Collection, this catalogue will seek to examine relationships between these two works and their creation... More
This radical re-examination of one of the crucial periods of modern British and Irish art demolishes the idea that control of the art world passed after the War from rich individuals to faceless state institutions. More
This latest publication from The Twentieth Century Society covers many aspects of the architecture and designs of the 1930s, from the influence of sculpture and photography, through the work of iconic architechts like Lubetkin, to the impact of new housing models on their inhabitants. More
The ancient kingdoms of the Cameroon Grassfields are famous for their splendid artworks – thrones ornamented with precious European beads, wooden figures sculptured by unknown masters, enormous drums, finely carved jewellery made from ivory and brass, as well as fabulous masks. This exhibition catalogue presents 150 impressive masterpieces from the courts of the Grassfield kingdoms. More