104 pages, paperback, 66 colour illustrations
PRICE: £25.00
ISBN: 978 1 903470 40 4
Customers in the US or Canada, CLICK HERE
Annibale Carracci was the great genius of early Baroque painting in Italy, blighted by melancholia at the end of his life but full of promise and invention in his prime. This book concentrates on one of his most ambitious early works, the Venus, Adonis and Cupid in the Prado Museum, Madrid. The paintings has recently been cleaned and restored and this book establishes it as one of the great works of Annibale's career - and as a simply wonderful painting. The subject, which is taken from Ovid's Metamorphoses, was regarded in the Renaissance period as offering the greatest possible scope for a painter's brush - a male and a female nude, strong emotion, pathos, heroism - and, since Adonis was a hunter, dogs as well. The Venus and Adonis, despite its importance in Annibale's oeuvre and its monumental size, has been comparatively little studied.
This book reveals important new information about Annibale Carracci, technically, creatively, stylistically. The book is superbly produced and illustrated. "goregeous photos...The essays are of extraordinary interest...Both sophisticated and accessible, this seems less an exhibition catalogue than a charming invitation to become better acquainted with a painting that, before reading, might not seem extraordinary." (P. Emison, Choice Magazine) The author is Curator of Italian Paintings at the Museo del Prado, Madrid.
The group of about one hundred French bronzes in the Wallace Collection is justly considered one of the finest such collections in the world. Fifty-one of the best are featured in this book, the first in-depth study of the subject in English. More
Over the course of the last forty years art historian Jonathan Brown has done more than anyone to reform our approach to the art of the Hispanic world between the age of El Greco and Velazquez and that of Goya. More
This book is about a family tree: the line of descent that can be traced from Perugino in Italy in the fifteenth century to Edouard Manet in France in the nineteenth. It is not the usual kind of genealogy, of those connected by blood, more an ‘apostolic succession’, following the way in which art in Europe was taught, from one generation to the next, from 1480 to 1880. More
Celebrating the Beckett Centenary. Awarded third prize by The Art Newspaper/Axa Art Prize for best catalogue of the year published in the UK - "admired for the quantity of new material it presented about Beckett himself and the worlds of literature and visual arts". More
This book is first published to accompany the major exhibition at Compton Verney, ‘The Artist’s Studio’, staged at this great Adam-designed country house in Warwickshire. This rarely studied subject is covered in expert essays based upon new research from the late sixteenth century to the present day, focusing upon artists from Rembrandt and Courbet, via Rossetti and Cézanne to Lucian Freud and Francis Bacon. More
Celebrating the 250th anniversary of the opening of the Hunterian Museum in Glasgow in 2007, this book provides a full study both of William Hunter - the many-faceted surgeon/connoisseur - and of his collection of art, which not only contains a number of outstanding masterpieces, such as a Rembrandt, but also provides a revealing snapshot of the taste of the period. While illuminating this crucial transitional period in British art, the book is at the same time a catalogue of the Hunterian collection. More
Seldom has there been a gift of equal magnificence. In 1947 the 7th Duke of Wellington presented to the nation his London residence – Apsley House – together with a large part of its contents, the collection of the 1st Duke. Among the paintings are some of the finest canvases from the Spanish Royal Collection, captured by the 1st Duke of Wellington from Joseph Bonaparte in 1813. There are also important seventeenth-century Dutch paintings bought by the 1st Duke himself, as well as a series of French and British portraits of his illustrious contemporaries and depictions of battle scenes, which provide a visual record of the Napoleonic period. More