144 pages, paperback, 140 colour illustrations
PRICE: £20.00
ISBN: 978 0955339 31 8
Edited by Sam Fogg
This is the catalogue to an outstanding collection of Medieval art from a private collection. Ranging from paintings and sculpture to stained glass, manuscripts and caskets, many of the objects presented here are of absolute rarity, some are previously unpublished and - until recently - unknown.
Of particular interest are: the recently discovered Anglo-Saxon Chrismatory, the first significant piece of its kind to come to light in well over a century; the walnut Casket painted with Illustrations of the Prise d'Orange, uniquely dating from the thirteenth century and a miracle of survival; the beautiful, ninth-century Byzantine Silk Samite of Confronting Birds; and the panel of The Dream of Joseph which formed part of the programme of stained glass installed at the Abbey of St-Denis in the twelfth century - considered one of the most important of all monuments of medieval art.
Accompanied an exhibition Art of the Middle Ages at Alexander Gallery, New York, 18 October - 2 November 2007
These works of museum quality, from an anonymous collection (one of the most important currently in private hands), were exhibited at the Victoria and Albert Museum in 2005. Many of the objects in the catalogue will be well known to those familiar with the specialist literature, even if they were unaware of their whereabouts. More
Medieval art has been collected for at least 200 years, yet there is a perception that if it is not locked away in a monastery it has found its home in a museum long ago. Nothing could be further from the truth. It is the richness and variety of what still lies unclaimed by history that makes this material so interesting. More
This catalogue accompanies an exhibition at the Groeninge Museum, Bruges, which celebrates one of the greatest European artists of the late fourteenth century, André Beauneveu, apparently born in Valenciennes c. 1335. The full scope of his talent was exploited by the celebrated royal patron Jean de Berry, for whom he produced manuscript illuminations, made designs for stained glass and oversaw the construction of his château at Mehun-sur-Yevre. However, it is primarily his very great skill in the handling of stone which gives Beauneveu such particular significance in the history of late medieval art. More