Old Masters

David Teniers and the Theatre of Painting

120 pages, cloth/hardback, 260 x 215 mm, 100 illustrations
PRICE: £30.00
ISBN: 978 1 903470 49 7

 

Customers in the US or Canada, CLICK HERE

Margret Klinge and Others

This is an overdue investigation into one of the most remarkable artistic enterprises of the seventeenth century, much cited but seldom discussed, David Teniers the Younger’s publication in 1660 of the magnificent Theatrum Pictorium or Theatre of Painting, the first illustrated and printed collection catalogue.


In 1651 David Teniers (1610–1690) was appointed painter to the Brussels court of Archduke Leopold Wilhelm, Governor of the Hapsburg Netherlands and proud owner of one of the finest princely collections in Europe. Teniers first documented this collection in a now famous series of detailed views of the interior of the Archduke’s picture gallery. The Archduke having returned to Vienna in 1656, his collection forms the core of the present Kunsthistorisches Museum. But by this time Teniers had already embarked on a far more ambitious project, a lavishly illustrated single-volume catalogue of 243 of the Archduke’s Italian paintings. When Teniers finally published the Theatrum Pictorium in 1656 it immediately attracted widespread attention and praise.


Fundamental to the project was Teniers’s production of small copies in oil of each of the selected paintings for use by the Theatrum’s engravers. Measuring c. 17 x 25 cm, these copies are of great beauty and skill in their own right; fourteen belong to the Courtauld Gallery, and many more as well are illustrated in this book.


Accompanying an exhibition at the Courtauld Gallery in autumn 2006, the book provides a detailed and richly layered account of this extraordinary project, based on the study of Teniers’s copies, of each of the four editions of the Theatrum and of views of the interior of the Archduke’s picture gallery.


Joanna Woodall, a distinguished authority on sixteenth- and seventeenth-century art, especially portraiture, is Deputy Director of the Courtauld Institute of Art.
Margret Klinge is the author of the definitive work on Teniers, David Teniers the Younger: Paintings, Drawings (1991).


Catalogue of Paintings at the Wellington Museum, Apsley House

Seldom has there been a gift of equal magnificence. In 1947 the 7th Duke of Wellington presented to the nation his London residence – Apsley House – together with a large part of its contents, the collection of the 1st Duke. Among the paintings are some of the finest canvases from the Spanish Royal Collection, captured by the 1st Duke of Wellington from Joseph Bonaparte in 1813. There are also important seventeenth-century Dutch paintings bought by the 1st Duke himself, as well as a series of French and British portraits of his illustrious contemporaries and depictions of battle scenes, which provide a visual record of the Napoleonic period. More

Samuel Beckett: A Passion for Paintings

Celebrating the Beckett Centenary. Awarded third prize by The Art Newspaper/Axa Art Prize for best catalogue of the year published in the UK - "admired for the quantity of new material it presented about Beckett himself and the worlds of literature and visual arts". More

French Bronzes in the Wallace Collection

The group of about one hundred French bronzes in the Wallace Collection is justly considered one of the finest such collections in the world. Fifty-one of the best are featured in this book, the first in-depth study of the subject in English. More

Masters of Indian Painting, 1100–1900

Accompanying an exhibition that promises to be the most comprehensive survey of Indian painting that the West has ever seen, this beautiful two volume catalogue spans 800 years of Indian painting, and some 240 masterpieces by more than 40 artists. These great Indian masters are unquestionably the equals of Dürer, Michelangelo or Vermeer. More

Masters and Pupils: The Artistic Succession from Perugino to Manet 1480–1880

This book is about a family tree: the line of descent that can be traced from Perugino in Italy in the fifteenth century to Edouard Manet in France in the nineteenth. It is not the usual kind of genealogy, of those connected by blood, more an ‘apostolic succession’, following the way in which art in Europe was taught, from one generation to the next, from 1480 to 1880. More

My Highest Pleasure: William Hunter's Art Collection

Celebrating the 250th anniversary of the opening of the Hunterian Museum in Glasgow in 2007, this book provides a full study both of William Hunter - the many-faceted surgeon/connoisseur - and of his collection of art, which not only contains a number of outstanding masterpieces, such as a Rembrandt, but also provides a revealing snapshot of the taste of the period. While illuminating this crucial transitional period in British art, the book is at the same time a catalogue of the Hunterian collection. More

The Noble Art of the Sword: Fashion and Fencing in Renaissance Europe 1520–1630

Accompanying a major international exhibition at the Wallace Collection (17 May – 16 September 2012), this book celebrates the artistic and cultural importance of the sword, as a symbol of power and prestige, as a flamboyant fashion statement and as an icon of the Age of Discovery. More