208 pages, hardback, 280 x 245 mm, 130 illustrations
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ISBN: 9781903470190
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Philip de Lászlo, following a meteoric rise to recognition in his native Hungary, settled in Britain in 1907 and became the leading portrait-painter in the country – taking over from Sargent. Marrying into the Guiness family, he painted members of almost every royal family in Europe and very many more of its Who’s Who. He painted the present Queen Elizabeth as a girl, as well as the late Queen Mother and George VI. He is known especially as a portraitist of beautiful women (including Elinor Glyn), but his male portraits are very forceful and his talent was universal – including landscape, animal subjects and children, and drawings and sketches as well as oil paintings.
This book, the previous edition of which accompanied the first retrospective exhibition of de László since his death in 1937, illustrates a rich and representative selection of his work, drawn from a range of private collections, and, aided by stunning colour plates, re-introduces this well-known but little studied artist to a wider public. Its distinguished contributors include Christopher Lloyd, formerly Surveyor of the Queen’s Pictures, Gábor Bellák, Curator of 19th-century Paintings and Drawings at the Hungarian National Gallery, Richard Ormond, formerly Director of the National Maritime Museum and a recognised authority on Sargent, and Christopher Wood, well known for his books on 19th-century art. The catalogue entries, by Sandra de Laszlo, contain fascinating biographical as well as art historical information.
This is the first publication devoted to Walter Sickert’s remarkable group of paintings of female nudes produced in and around Camden Town between 1905 and 1912 and now considered to be among his most important and provocative works. More
There was no bigger issue in the twentieth century than housing. In peace or war, people need homes, and a growing population and demands for better standards put architects, planners and sociologists to work. The century was known for its public housing, culminating in the tower blocks that once peppered major cities such as Birmingham and Glasgow, now fast disappearing. More
2002 was the centenary of Danish architect and designer Arne Jacobsen's birth (1902–1971). The Museum of Modern Art in Oxford celebrated Jacobsen's enduring importance by presenting a new exhibition which aimed to introduce to a wider audience aspects of his work as an architect and designer. More
Stanley Spencer (1891–1959) is perhaps best known for his mystical biblical scenes and candid self-portraits, but it was his magnificent paintings of gardens, houses and landscapes, set in the small alleys and overgrown backyards of his home village of Cookham, which proved more popular during his lifetime. Published to accompany an exhibition at Compton Verney, Warwickshire, this book is the first to focus specifically on Spencer’s landscape paintings, and to consider them as a group, rather than as punctuation marks between the figure paintings. More
Together with important First Nations material, the Thomson Canadian Collection is the largest of all private holdings of Canadian art. There are rare and incomparable examples of Northwest Coast Aboriginal art. Krieghoff’s inspired accounts of life in the Canadas, prior to Confederation, bring the light and atmosphere of history fully into the present. A staggering power to capture the fleeting and the fugitive in paint still distinguishes the work of the early 20th-century painter Morrice... More
Accompanying an exhibition at The Courtauld Gallery, London, this publication is the first to celebrate the important creative collaboration between the artist Henri Toulouse-Lautrec (1864–1901) and his muse, the dancer Jane Avril (1868–1943). Avril was one of the stars of Moulin Rouge in the 1890s, and was nicknamed ‘La Mélinite’ after a form of explosive. More
Robin Hood Gardens in Tower Hamlets, East London, was designed by Alison + Peter Smithson and completed in 1972. In 2008, this large social housing scheme was threatened with demolition and became a controversial conservation case. This book uncovers the history of the project, arguing for its historical and architectural significance and for its future role in housing provision. More
This catalogue accompanied the first exhibition to bring together the seminal group of paintings of London building sites by Frank Auerbach (born 1931). Produced between 1952 and 1962, the paintings are among the most profound responses made by any artist to the post-war urban landscape. These works chart the early development of Auerbach’s remarkable approach to painting, for which he is celebrated as one of Britain’s greatest living artists. More
This radical re-examination of one of the crucial periods of modern British and Irish art demolishes the idea that control of the art world passed after the War from rich individuals to faceless state institutions. More
Paul Cézanne’s famous series of paintings of peasants playing cards has long been considered among his most important and powerful works. The image of seated peasants, still and seeming silent, concentrating on their game of cards, can be seen as the human counterpart to the landscapes of Cézanne’s home countryside, notably Montagne Sainte-Victoire, which held such iconic significance for him. More
This is the first publication dedicated to the extraordinary series of paintings of London that André Derain produced at the height of his avant-garde notoriety, having been newly branded a Fauve or 'wild beast' in Paris for his uncompromising use of pure colour. More
Born in 1926, Peter Coker was elected RA in 1972; his substantial output of acknowledged work was recently commemorated in a catalogue raisonné. Since a stroke in 1990 his work has been severely impaired, but the chance discovery of some earlier drawings sparked this ‘explosion of creativity’, consisting of mixed media works, large oil paintings, lithographs and a series of etchings, The Parisian Suite. More
This is the revised and updated edition of a book that originally accompanied the first retrospective exhibition of de László since his death in 1937. It illustrates a rich and representative selection of his work, drawn from a range of private collections, and, aided by stunning colour plates, re-introduces this well-known but little studied artist to a wider public. More
This is the catalogue of an important collection of works on paper, mostly in colour, by Wyndham Lewis, spanning his entire career, through Vorticism and out the other side. It includes many drawings that have never been seen or published before, from private collections. More
This book accompanies an exhibition at The Courtauld Gallery, London, that will be the first to offer a comprehensive account of the parallel artistic paths charted by Piet Mondrian and Ben Nicholson during the 1930's. It will bring together an extraordinary group of paintings and reliefs to show how each artist was driven by a profound belief in the potential of abstract art to attain the highest aestethic and spiritual power. More
As a result of generous loans of over one hundred outstanding works of art, in 2002 the Courtauld Gallery was able to extend its collection further into the twentieth century. For the first time the Gallery was able to show historically coherent groups of works representing key developments in the art history of the early 20th century. This is the catalogue to the new display. More
"Featuring more than 100 beautifully reproduced paintings, this handsome and informative volume fills a serious gap in the study of modern British art and should be included in all strong art collections", Library Journal Reviews More
This is a comprehensive introduction to the young Epstein, a study of his personality, his art, his culture, his milieu, his domestic menages, his Jewishness, his unJewishness, his vision, his lovers and again his art, for Epstein lived, starved and suffered all for his art. More
“Ormond’s narrative is… [a] combination of exhaustive investigation with delicacy of touch—of reserved thoughtfulness with visual sensitivity” – Modern Language Review. When Linley Sambourne died in 1910, a host of obituaries paid tribute to his long career as a cartoonist and his contribution to late Victorian and Edwardian political satire. A hundred years on, the distinguished 19th-century scholar Leonee Ormond has written an illuminating biography, using his own copious records preserved intact in his house at 18 Stafford Terrace, Kensington, London - now a museum. More
"...a memorable and beautiful reminder of the outstanding abilities of this truly great Irish artist". (Bruce Arnold, Irish Independent) The best known of the Official War Artists sent to France, Orpen was the only one to publish an extensive memoir of his experiences and observations. He was a talented writer, and his accounts of the last two years of the Great War and the Peace Conference that followed it are vivid, lucid and shrewd. The book ends with a passionate indictment of politicians and their mismanagement of the War, and the rapidity with which the ordinary soldier was forgotten. This compelling book was first published in 1921. More
This is the first book to consider Lewis’s drawing as a distinct contribution to his art, despite the importance he attributed to draughtsmanship. Lewis wrote that the line in drawing was nothing less than “the bone beneath the pulp”. “It is more difficult upon a piece of white paper ... to deceive the expert spectator than it is with a lot of oil paint upon a canvas.” This book traces his drawing from youthful figure studies and portraits to the surreal abstractions and dreamscapes of his later years. More
“A clean and solid mosaic of thick paint in a light key” was a phrase aptly used by the leader of the Camden Town Group of artists, Walter Sickert, to describe the painting of this Edwardian group, who depicted their tea-and-cake world in a comparatively timid, but subtle and charming, Post-Impressionist style. More
Save £15 when you buy these two beautiful and highly popular books on Philip de László, one of the most important artists of the 20th century. Reprinted owing to demand, A Brush with Grandeur was originally published to accompany the first retrospective of the artist's work since his death in 1937. In De László in Holland, the wonderful but little-known portraits of Holland's cosmopolitan aristocratic and entrepreneurial families, many of which have remained in the families’ private collections, are here published for the first time. More
In the 1930s William Heath Robinson (1872–1944) was known as “The Gadget King” and he is still most widely remembered for his wonderful humorous drawings and illustrations. This book, containing over 100 of his finest, accompanied the first exhibition ever held of William Heath Robinson’s work as illustrator as well as humourist. More
Cecil Collins (1908–1989) is arguably one of the greatest English visionary artists since Blake and Palmer. 'In Celebration of Cecil Collins' creates a centenary portrait of the artist, a mosaic in word form, through the reflections and memories of his friends, admirers and students. More