192 pages, paperback, 280 x 245 mm, 130 illustrations
PRICE: £30.00
ISBN: 9781903470183
Philip de László, following a meteoric rise to recognition in his native Hungary, settled in Britain in 1907 and became the leading portrait-painter in the country – taking over from Sargent. Marrying into the Guiness family, he painted members of almost every royal family in Europe and very many more of its Who’s Who. He painted the present Queen Elizabeth as a girl, as well as the late Queen Mother and George VI. He is known especially as a portraitist of beautiful women (including Elinor Glyn), but his male portraits are very forceful and his talent was universal – including landscape, animal subjects and children, and drawings and sketches as well as oil paintings.
This book, the previous edition of which accompanied the first retrospective exhibition of de László since his death in 1937, illustrates a rich and representative selection of his work, drawn from a range of private collections, and, aided by stunning colour plates, re-introduces this well-known but little studied artist to a wider public. Its distinguished contributors include Christopher Lloyd, formerly Surveyor of the Queen’s Pictures, Gábor Bellák, Curator of 19th-century Paintings and Drawings at the Hungarian National Gallery, Richard Ormond, formerly Director of the National Maritime Museum and a recognised authority on Sargent, and Christopher Wood, well known for his books on 19th-century art. The catalogue entries, by Sandra de Laszlo, contain fascinating biographical as well as art historical information.
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When Oskar Reinhart (1885–1965) bequeathed a significant part of his remarkable art collection – chiefly of French nineteenth-century painting but also containing a number of outstanding Old Masters – to the Swiss nation, he did so on condition that the works of art would never be loaned. As a consequence the many very important works in the collection have not received the scholarly attention they deserve. Artists represented in the collection that Reinhart made his monument include: Cézanne, Chardin, Corot, Courbet, Daumier, Delacroix, Géricault, Van Gogh, Maillol, Manet, Picasso, Pissarro, Renoir. More
‘A Time & a Place: Two centuries of Irish social life' focuses, through the art of their time, on Irish people engaged in recreational activities across the last two centuries. The book is arranged thematically, covering areas and subjects such as sport, music and dance, visits to the beach, religious observance and pilgrimage, theatre, circus, calendar customs, fairs and markets, pubs, clubs and parades. More
AVAILABLE FOR PRE-PUBLICATION ORDER (TO BE PUBLISHED APRIL 2010). This is the revised and updated edition of a book that originally accompanied the first retrospective exhibition of de László since his death in 1937, It illustrates a rich and representative selection of his work, drawn from a range of private collections, and, aided by stunning colour plates, and re-introduces this well-known but little studied artist to a wider public. More
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Although the life of George Scharf has not been well-documented, he has left a remarkable legacy of drawings, watercolours and lithographs, which, in a most vivid and detailed manner, describe the life of London in the first half of the 19th Century. In many ways, his work can be compared to that of other great chronicler of early Victorian London – Charles Dickens. The characters that populate The Pickwick Papers or Little Dorrit can all be glimpsed in Scharf’s sketches and prints. More
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Manet's well-known painting in the National Gallery London of a café-concert – a kind of cabaret performance and musicmaking that was the latest fashion in Paris of the 1870s – has a peculiar history. The painter initially planned an ambitious canvas with which he grew dissatisfied, then cut it in two, one half being the painting in the National Gallery and the other half now in Winterthur in Switzerland. More
Philip Alexius de László (1869–1937) was one of the most important portraitists of the early 20th century. Born in Hungary, he was trained in Munich and Paris and was soon receiving commissions from noble and royal families throughout Europe. Having married Lucy Guinness in 1900, in 1907 he moved from Vienna to England, where he had enormous success. More