44 pages, paperback, 300 x 240 mm, 44 colour illustrations
PRICE: £20.00
ISBN: 978 0 954901 42 4
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This book is devoted to a monumental and superbly illuminated very large early fourteenth-century Mamluk Qur'an in muhaqqaq script. It constitutes the final part (Juz' 30) of a superb two-volume Qur'an of which the first volume is preserved in the National Museum in Damascus while the second volume, from which the present section originates, is widely dispersed. Remarkably, here the final part of the Qur'an is reunited with its magnificent and richly decorated double finispieces, thus reassembling what must have been among the most striking and lavishly illuminated sections of the entire manuscript.
The high degree of inventiveness along with the overall quality of the manuscript point to the work of a master artist. Especially the geometric proficiency suggests the work of Muhammad ibn Mubadir, one of the leading illuminators in Mamluk Cairo at the turn of the thirteenth century. Although little is known of the life of this artist, his illumination in the Baybars al-Jashnagir Qur'an, now in the British Library, and a Qur'an copied in 1306-10 for an unknown patron, now in the Chester Beatty Library, constitute some of the most celebrated achievements of Mamluk Qur'an illumination.
Given the status of the Qur‘an as the eternal and uncreated word of Allah, the art of the pen became the focus of an extraordinary energy in the Muslim world. Ink and Gold charts the development of Islamic calligraphy – the noblest, most stylized and original of the Islamic arts – over a period of some 1200 years, from its beginnings in the Arabian Peninsula. More
Illuminator, painter, scribe, clerk, teacher, doctor of theology, restorer and binder, Mesrop was one of the greatest Armenian artists of his and following generations. He was prolific, working for at least forty-two years in Sos (New Julfa) from 1608 to 1651. This book will be the first serious study of the forty-six of his manuscripts that have survived. The focus of the book, however, is The Four Gospels, one of the few manuscripts painted entirely by Mesrop’s hand and one of the most extensively illuminated in his oeuvre. More
The selection consists of Qur’ans, illustrated Islamic manuscripts and scientific and religious manuscripts. All are handsomely illustrated and fully discussed. The manuscripts are from all parts of the Islamic world and represent the finest achievements of the form. More
This catalogue discusses and illustrates a wide variety of Chinese books, dating from the sixth to the nineteenth century -- some very rare. More
Around 1800, an anonymous engraver in Sharanakula, a small temple place on the southern coast of Orissa, illustrated a palm-leaf anthology of love poems. The one hundred Sanskrit quatrains, which are said to be the work of the 7th-century poet Amaru, describe the behaviour of enamoured couples, their longing for each other, the lovers’ anxieties, their ecstatic joy as well as their doubts and sorrows. More
Produced for the Association Internationale de Bibliophilie, this book traces the development of the early Ottoman style under influence from their neighbours; the impact of the patronage of Sultan Mehmed the Conqueror; and the development of the ‘classical’ style under his successor Bayezid II. A catalogue section provides beautiful illustrations of 41 masterpieces of bookbinding; with technical appendices, bibliography, concordance and index. More