44 pages, paperback, 300 x 240 mm, 44 colour illustrations
PRICE: £20.00
ISBN: 978 0 954901 42 4
This book is devoted to a monumental and superbly illuminated very large early fourteenth-century Mamluk Qur'an in muhaqqaq script. It constitutes the final part (Juz' 30) of a superb two-volume Qur'an of which the first volume is preserved in the National Museum in Damascus while the second volume, from which the present section originates, is widely dispersed. Remarkably, here the final part of the Qur'an is reunited with its magnificent and richly decorated double finispieces, thus reassembling what must have been among the most striking and lavishly illuminated sections of the entire manuscript.
The high degree of inventiveness along with the overall quality of the manuscript point to the work of a master artist. Especially the geometric proficiency suggests the work of Muhammad ibn Mubadir, one of the leading illuminators in Mamluk Cairo at the turn of the thirteenth century. Although little is known of the life of this artist, his illumination in the Baybars al-Jashnagir Qur'an, now in the British Library, and a Qur'an copied in 1306-10 for an unknown patron, now in the Chester Beatty Library, constitute some of the most celebrated achievements of Mamluk Qur'an illumination.
The selection consists of Qur’ans, illustrated Islamic manuscripts and scientific and religious manuscripts. All are handsomely illustrated and fully discussed. The manuscripts are from all parts of the Islamic world and represent the finest achievements of the form. More
Around 1800, an anonymous engraver in Sharanakula, a small temple place on the southern coast of Orissa, illustrated a palm-leaf anthology of love poems. The one hundred Sanskrit quatrains, which are said to be the work of the 7th-century poet Amaru, describe the behaviour of enamoured couples, their longing for each other, the lovers’ anxieties, their ecstatic joy as well as their doubts and sorrows. More
This catalogue discusses and illustrates a wide variety of Chinese books, dating from the sixth to the nineteenth century -- some very rare. More