128 pages, paperback, 242 x 168 mm, 50 colour illustrations
PRICE: £19.95
ISBN: 978 1 903470 09 1
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"... a model of clarity ... the scientific information is not only important in its own right, but it also assists in interpretation ..." (Sixteenth Century Journal)
The portly figure of Henry VIII depicted by Holbein may be very familiar, but this book reveals much more about the portrait, the sitter, the artist and his workshop. It gathers together and analyses the several copies and variants of Holbein's Whitehall cartoon of Henry VIII, more than one of which is by the only significant painter immediately after Holbein in England, Hans Eworth.
The book reveals for the first time the results of extensive technical analysis and historical research undertaken on surviving versions of the portrait in the Walker Art Gallery, Chatsworth, Petworth, Trinity College, Cambridge, and elsewhere. It throws light not only on Henry VIII but on the Tudor court and on courtiers who, for their own purposes, wished to keep his memory alive after his death. The book explores how and when the portraits were painted and the motivation behind their production and also traces how they affected subsequent portrayals of the monarch, down to film and television.
The lagoon in which the city of Venice rises is no more than a few thousand years old - not much older than the city itself. And it may not last another hundred, such is the damage that not only the city but also the lagoon have suffered during the twentieth century. This book succinctly examines the severe threat from human intervention and incursions on the one hand and on the other from climate change and natural erosion, and the oprions for the future. More
There can be few examples of intensive fashioning and self-fashioning by a Renaissance figure more remarkable than Prince Henry (1594-1612). Two decades after the appearance of Roy Strong's revelatory Henry Prince of Wales and England's Lost Renaissance this collection of essays re-examines the extraordinary artistic and cultural response to Prince Henry and presents many new findings in the context of recent scholarship. More
This book is first published to accompany the major exhibition at Compton Verney, ‘The Artist’s Studio’, staged at this great Adam-designed country house in Warwickshire. This rarely studied subject is covered in expert essays based upon new research from the late sixteenth century to the present day, focusing upon artists from Rembrandt and Courbet, via Rossetti and Cézanne to Lucian Freud and Francis Bacon. More