JUNE 2011, 96 pages, paperback, 260 x 216 mm, 50 colour illus.
PRICE: £16.99
ISBN: 978 1 907372 12 4
Stanley Spencer (1891–1959) is perhaps best known for his mystical biblical scenes and candid self-portraits, but it was his magnificent paintings of gardens, houses and landscapes, set in the small alleys and overgrown backyards of his home village of Cookham, which proved more popular during his lifetime. Published to accompany an exhibition at Compton Verney, Warwickshire, this book is the first to focus specifically on Spencer’s landscape paintings, and to consider them as a group, rather than as punctuation marks between the figure paintings. Read more
This book is first published to accompany the major exhibition at Compton Verney, ‘The Artist’s Studio’, staged at this great Adam-designed country house in Warwickshire. This rarely studied subject is covered in expert essays based upon new research from the late sixteenth century to the present day, focusing upon artists from Rembrandt and Courbet, via Rossetti and Cézanne to Lucian Freud and Francis Bacon. More
Together with important First Nations material, the Thomson Canadian Collection is the largest of all private holdings of Canadian art. There are rare and incomparable examples of Northwest Coast Aboriginal art. Krieghoff’s inspired accounts of life in the Canadas, prior to Confederation, bring the light and atmosphere of history fully into the present. A staggering power to capture the fleeting and the fugitive in paint still distinguishes the work of the early 20th-century painter Morrice... More
"Featuring more than 100 beautifully reproduced paintings, this handsome and informative volume fills a serious gap in the study of modern British art and should be included in all strong art collections", Library Journal Reviews More
This is the revised and updated edition of a book that originally accompanied the first retrospective exhibition of de László since his death in 1937. It illustrates a rich and representative selection of his work, drawn from a range of private collections, and, aided by stunning colour plates, re-introduces this well-known but little studied artist to a wider public. More
There was no bigger issue in the twentieth century than housing. In peace or war, people need homes, and a growing population and demands for better standards put architects, planners and sociologists to work. The century was known for its public housing, culminating in the tower blocks that once peppered major cities such as Birmingham and Glasgow, now fast disappearing. More
Born in 1926, Peter Coker was elected RA in 1972; his substantial output of acknowledged work was recently commemorated in a catalogue raisonné. Since a stroke in 1990 his work has been severely impaired, but the chance discovery of some earlier drawings sparked this ‘explosion of creativity’, consisting of mixed media works, large oil paintings, lithographs and a series of etchings, The Parisian Suite. More
This is the catalogue of an important collection of works on paper, mostly in colour, by Wyndham Lewis, spanning his entire career, through Vorticism and out the other side. It includes many drawings that have never been seen or published before, from private collections. More
"...a memorable and beautiful reminder of the outstanding abilities of this truly great Irish artist". (Bruce Arnold, Irish Independent) The best known of the Official War Artists sent to France, Orpen was the only one to publish an extensive memoir of his experiences and observations. He was a talented writer, and his accounts of the last two years of the Great War and the Peace Conference that followed it are vivid, lucid and shrewd. The book ends with a passionate indictment of politicians and their mismanagement of the War, and the rapidity with which the ordinary soldier was forgotten. This compelling book was first published in 1921. More
“A clean and solid mosaic of thick paint in a light key” was a phrase aptly used by the leader of the Camden Town Group of artists, Walter Sickert, to describe the painting of this Edwardian group, who depicted their tea-and-cake world in a comparatively timid, but subtle and charming, Post-Impressionist style. More
In the 1930s William Heath Robinson (1872–1944) was known as “The Gadget King” and he is still most widely remembered for his wonderful humorous drawings and illustrations. This book, containing over 100 of his finest, accompanied the first exhibition ever held of William Heath Robinson’s work as illustrator as well as humourist. More