This book accompanies an exhibition at The Courtauld Gallery, London, that will be the first to offer a comprehensive account of the parallel artistic paths charted by Piet Mondrian and Ben Nicholson during the 1930's. It will bring together an extraordinary group of paintings and reliefs to show how each artist was driven by a profound belief in the potential of abstract art to attain the highest aestethic and spiritual power. More
Published to accompany the first substantial exhibition on the tradition of Spanish drawings to take place at The Courtauld Gallery, London, this catalogue captures the excitement and importance of this rapidly developing field of study. More
This book is an exemplary investigation of a series of, so far, poorly documented works that will prove of great interest to those in the field. Most of the 15th- or early 16th-century panels presented here are northern European, a large number German, which have been neglected in English language studies. The panels are all almost unknown and none of them have been subjected to modern techniques of investigation – infrared, x-ray, micro-photography – until now. More
The Infanta Isabel Clara Eugenia (1566–1633), the eldest daughter of Philip of Spain, was one of the most significant female political players of the seventeenth century. Isabel, however should not be seen as political figure alone but also as a woman, embedded in the material culture of her times in manifold roles and through varied practices. More
This publication will be the only available English-language monograph to date on sixteenth-century sculptor Pier Jacopo Alari Bonacolsi, also known as Antico. Given Antico’s importance for the history of sculpture this book is a much needed resource in the field and will present new scientific research and the results of technical studeis to be undertaken at the National Gallery of Art. A series of essays places Antico’s life, work and technique in a contextual framework useful for understanding his body of work. In addition to providing an overview of the artist’s acareer, the catalogue will also address key topics topics from his workmanship and craft to his relationship with the court of Mantua. More
Accompanying an exhibition that promises to be the most comprehensive survey of Indian painting that the West has ever seen, this beautiful two volume catalogue spans 800 years of Indian painting, and some 240 masterpieces by more than 40 artists. These great Indian masters are unquestionably the equals of Dürer, Michelangelo or Vermeer. More
The Wallace Collection's assembly of European arms and armour sits comfortably amongst the most significant collections of its kind in the UK. Accordingly, the book 'Masterpieces of European Arms and Armour...' draws attention to a selection of the most refined and tantalising pieces examining them in an "armoury historical" context. Particularly noteworthy are a medieval "Viking age" sword, a golden tournament helmet of Emperor Ferdinand I (1555), and a flint-lock pistol c. 1738-44 of Prince Louis, Dauphin of France. More
All the exquisite glasses and Limoges painted enamels in the Wallace Collection are published together for the first time as part of a new series of catalogues raisonnés. Approximately sixty glasses and thirty painted enamels are showcased within the catalogue, demonstrating both the delicacy of colour and technical superiority of Venetian and Venetian-style glass, as well as the vibrancy and relflective character of Limoges enamels. Of particular significance among the glassware are a calcedonio goblet, a trick-glass tazza and a chalice-shaped goblet enamelled with the Crucifixtion, whilst the finest Limoges enamels are lavishly embellished with religious and secular iconography. More
Accompanying a unique exhibition at Dulwich Picture Gallery, London, of the work of Nicolas Poussin and Cy Twombly, who sadly died on 5 July this year, this book is "so unusual and its theme so enduringly relevant, especially now, that it truly should not be missed" (The Spectator). More
Twenty-five years after Captain Cook, the London Missionary Society sent its first representatives to the South Seas. Their goal was to eradicate heathenism and idolatry, but unwittingly, they became agents for the preservation of Polynesian culture through their diligent recording of language and religious practices. They even preserved a number of religious artifacts, which they sent back to England for exhibition in the Mission Museum in London. This book focuses on these artifacts, the idols that avoided the flames. More