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Kerry Brewer - Where No Bird Can Fly Nor Fish Can Swim: Still from Painting

The publication Stills from Painting is an exploration into the work and practices British artist Kerry Brewer has been developing over seven years. Dark and sumptuous, these large-scale, heavily glazed canvases respond constantly to changes in light and the movements of the viewer. The book is a journey through these paintings, revealing ‘stills’ from the works up close and almost as if frame by frame. More

A Pioneering Collection: Master Drawings from the Crocker Art Museum

The master drawings at the Crocker Art Museum, dating from the late fifteenth to the mid-nineteenth centuries, form an unusually rich and historic collection, known to include many keystones of the history of art. Sheets by Carpaccio, Dürer, Callot and Boucher only scratch the surface of a collection whose sources include the great eighteenth-century collectors Pierre-Jean Mariette, Pierre Crozat, Joshua Reynolds and Antoine-Joseph Dezallier d'Argenville, their seventeenth-century predecessors Evrard Jabach, Nicolas Lanier, Jan Pietersz. More

Colnaghi: The History

The oldest commercial art gallery in the world, print sellers to the Prince Regent and pioneers of photographic publishing, Colnaghi have sold some of the most important Old Master works to come on the market to private collectors and museums across the world. More

German Master Drawings from the Wolfgang Ratjen Collection 1580–1900

In late 2007 the National Gallery of Art, Washington, acquired one of the finest private European holdings of Old Master drawings – the Wolfgang Ratjen Collection – including 120 German drawings. This unique survey of drawings includes work by many of the most important artists from the German-speaking areas of Europe, including Switzerland and Austria. More

Paul Delaroche 1797-1856: Paintings in The Wallace Collection

Paul Delaroche was a hugely popular painter during his lifetime, first making his name with a series of historical scenes which enjoyed great acclaim at the Paris Salon. His renown extended far beyond his native country. Honoured by almost every major academy, his pictures were sought by collectors in Britain, Germany, and Russia. More

Art in Spain and the Hispanic World: Essays in Honor of Jonathan Brown

Over the course of the last forty years art historian Jonathan Brown has done more than anyone to reform our approach to the art of the Hispanic world between the age of El Greco and Velazquez and that of Goya. More

British and Irish Art 1945-1951: From War to Festival

This radical re-examination of one of the crucial periods of modern British and Irish art demolishes the idea that control of the art world passed after the War from rich individuals to faceless state institutions. More

Linley Sambourne

When Linley Sambourne died in 1910, a host of obituaries paid tribute to his long career as a cartoonist and his contribution to late Victorian and Edwardian political satire. A hundred years on, the distinguished 19th-century scholar Leonee Ormond has written an illuminating biography, using his own copious records preserved intact in his house at 18 Stafford Terrace, Kensington, London - now a museum. More

Beauty and Power: Renaissance and Baroque Bronzes from the Peter Marino Collection

Bronze has long been used by sculptors to create complex and beautiful forms, three-dimensional realisations of the most vivid human emotions and experiences. The outstanding collection of European bronze sculptures formed by Peter Marino, here catalogued for the first time and beautifully photographed by Maggie Nimkin, is built around an exploration of the human form, as depicted in this lustrous and sensuous material. More

Michelangelo's Dream

"The whole thing is a curatorial and scholarly triumph ... the catalogue essays do full justice to the power of Michelangelo's intellect, as well as to hand and eye." (Richard Dorment, Telegraph) Michelangelo's Dream (or Il Sogno) is one of the finest of all Italian Renaissance drawings and is amongst The Courtauld Gallery's greatest treasures. Executed at the height of the artist's career, this magnificent work exemplifies Michelangelo's unrivalled skill as draughtsman and his extraordinary power of invention. More

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