Non Western

Tibetan Elemental Divination Paintings: Illuminated Manuscript from The White Beryl of Sangs-rGyas rgya-mtsho

432 pages, hardback in cloth-covered, silk lined box, 435 x 355 mm, over 1000 colour illustrations
PRICE: £200.00
ISBN: 9780953994106

 

This extraordinary publication represents a landmark in both Tibetan studies and the art of bookmaking. It presents for the first time two magnificent eighteenth-century manuscripts illuminating in exquisite detail the essential but little-known practices of elemental divination as described in The White Beryl – an important seventeenth-century treatise written by Sangs-rgyas rGya-mtsho (1653–1705), the rekowned polymath who was regent to the Fifth Dalai Lama. Read more


First | Previous | 1  2  3  | Next | Last

Hakob’s Gospels: The Life and Work of An Armenian Artist of the Sixteenth Century

In the winter of 1586, Hakob Jughayets'i, one of Armenia's most celebrated illuminators, completed work on a Gospel Book with an extensive and extraordinary programme of narrative miniatures and marginal figures. More

Art of Ethiopia

The unique character of Ethiopian art is the legacy of its situation high in the mountains on the Horn of Africa. Though remote and often isolated it evolved a tradition, going back to the fourth century AD, in response to contacts with Byzantine, European and Islamic cultures. More

Cameroon - Art of the Kings

The ancient kingdoms of the Cameroon Grassfields are famous for their splendid artworks – thrones ornamented with precious European beads, wooden figures sculptured by unknown masters, enormous drums, finely carved jewellery made from ivory and brass, as well as fabulous masks. This exhibition catalogue presents 150 impressive masterpieces from the courts of the Grassfield kingdoms. More

Amorous Delight: The Amarushataka Palm-Leaf Manuscript. Illustrated by the Master of Sharanakula in the 19th Century (Orissa, India)

Around 1800, an anonymous engraver in Sharanakula, a small temple place on the southern coast of Orissa, illustrated a palm-leaf anthology of love poems. The one hundred Sanskrit quatrains, which are said to be the work of the 7th-century poet Amaru, describe the behaviour of enamoured couples, their longing for each other, the lovers’ anxieties, their ecstatic joy as well as their doubts and sorrows. More

Before and Beyond the Image: Aniconic Symbolism in Buddhist Art

First published a quarter-century ago in German, Dietrich Seckel’s essay remains a vital contribution to a much-debated feature of Buddhist art, its aniconism, its aversion to depicting spiritual entities of the very highest order. More

Chinese Books

This catalogue discusses and illustrates a wide variety of Chinese books, dating from the sixth to the nineteenth century -- some very rare. More

Court Painting at Udaipur: Art under the Patronage of the Maharanas of Mewar

The Maharanas of Mewar in Rajasthan have long been regarded as pre-eminent among the Rajput chiefs of India and as dedicated guardians of social and cultural tradition. The Mewar school of painting, centred first at Chitor and later at Udaipur, was one of the most vigorous and prolific of all Indian court styles. It reveals an unrivalled continuity of development from the 16th century or earlier until as late as the 1940s. More

Kannon – Divine Compassion: Early Buddhist Art from Japan

Kannon, the Bodhisattva of Compassion, is probably Japan’s most popular Buddhist deity. Images of Kannon – who hears the cries for help of all beings in distress – are the main focus of worship in many Japanese temples. This exhibition catalogue presents an exceptional selection of the most beautiful sculptures and paintings from the 7th to the 14th century, some of which have never been seen before outside Japan or which are rarely accessible even to the Japanese public. More

The Architecture of Lucknow and Oudh: Its Evolution in an Aesthetic and Social Context

This study examines the hundreds of secular and religious buildings, urban residential and commercial foundations, and public monuments commissioned in Lucknow and Oudh between 1722 and 1856 by the fabulously rich Nawabs of Oudh and their Court, the English East India Company, and others. More

The Admiralty Islands: Art from the South Seas

The Admiralty Islands, a group of more than twenty islets with approximately 25,000 inhabitants, lie north of New Guinea in the southwest Pacific. This catalogue delineates the main characteristics of the art of the Admiralty Islands. It presents some 100 objects which rank among the best in the world. More

First | Previous | 1  2  3  | Next | Last