Endowed with a sharp eye, a brillant technique, and a refined sense for colours, Nainsukh is one of the most skilled artists of 18th century India. This brochure, meant to delight the eyes and the curiosity of general reader, informs about Nainsukh and his followers and shows thirty of their outstanding paintings which form the core of the Rietberg’s collection of Pahari paintings... More
After Andrew Topsfield’s recent study Court Painting at Udaipur, which was welcomed by scholars as the definitive research on the Mewar school for long, we are proud to present a monograph on two Devgarh artists that covers the lesser known artistic developments of the history of Mewar painting. This publication focuses on two master-artists, Bagta and his son Chokha, who worked first for the prestigious court of the Maharanas of Udaipur before they became involved with the rawats of Devgarh in the second half of the eighteenth century and nineteenth century respectively. More
According to a 1754 inscription, the ruling Rajah Umed Singh of Chamba commissioned this extraordinarily ornate wooden temple, and two artists, Gurdev and Jhanda, carried out the work. Despite the difficulty of gaining access to the shrine, 2,300 m above sea level, the quality of these highly regarded reliefs is unique – nothing comparable in Chamba managed to withstand the fires and wars at the end of the 18th century. This book thoroughly publicises this important Hindu structure for the first time. More
‘Abd al-Rahim, the commander-in-chief of the mughal armies and a great bibliophile, was the most important patron of Mughal painting outside the imperial family. John Seyller presents the seven illustrated manuscripts commissioned by this eminent noble and places them in the context of imperial Mughal painting and patronage at the beginning of the 17th century. This book provides a nuanced picture of the interaction among artists in a series of collaborative projects and an original and thoughtful analysis of patronage in Mughal India. More
Known today as the youngest of the remarkable "Eight Eccentrics of Yangzhou", Luo Ping was one of the most versatile, original, and celebrated artists in eighteenth-century China. This accompanies an exhibition at the Metropolitan Museum, New York, of works drawn primarily from leading museums in China, and will include rarely seen masterpieces as well as overlooked or unpublished works to provide a broad spectrum of Luo’s multiple talents and extraordinary pictorial prowess. More
This book explores the surprising heights of the idiosyncratic lone Japanese artist, the odd man out, experimenting his way through the fine arts and laying his own pathway forwards as he did. It is intended as a joyous celebration of his genius. Dating from the late 17th to the early 20th century, 69 special and individual works of painting, sculpture, ceramic, lacquer, fancy metalwork and a striking selection of pipecases and their sagemono, inro and netsuke in various materials, are catalogued with beautiful photography and detailed descriptions. More
This book examines how with the Japanese craftsman's intuitive sense of aesthetics and design the tsuba's utilitarian origins reached into the realms of fine art. The collection paints a picture of the Japanese tsubako, successfully representing both classic and everyday tsuba and fittings, work of the exacting levels demanded by the Daimyo and their samurai. More
The biggest, the best and theoretically the final volume in Sydney L. Moss gallery's trilogy of superior netsuke publications, regarded by some authorities as the finest offering of select netsuke in living memory. Over 300 colour photographs of consistently excellent works. More
A comprehensive survey of the major schools and masters in 66 fine examples, this catalogue is an indication of the developing serious interest in netsuke. Several full-colour photographs of each work, taken from every useful angle, accompany educative and entertaining text. More
Amongst the netsuke in this catalogue are many 18th-century rarities, including several large, mostly anonymous, figures in ivory and wood from Japanese legend, as well as important examples by Tametaka, Koyoken Yoshinaga, Tomotada and Masanao of Kyoto. Amongst masterpieces from the 19th century are four Otoman, two Ikkyu and a Tomokazu group of three rats. There are 17 ojime in various materials, many of them signed; pipecases of rare quality; some unusual spectacle cases; and inro in laquer and metal. The catalogue is rounded off by five extraordinary lacquer boxes by Ritsuo, the others by Koami Choko, Koma Kyuhaku and Oyama. More