Non Western

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Workshop and Patron in Mughal India

‘Abd al-Rahim, the commander-in-chief of the mughal armies and a great bibliophile, was the most important patron of Mughal painting outside the imperial family. John Seyller presents the seven illustrated manuscripts commissioned by this eminent noble and places them in the context of imperial Mughal painting and patronage at the beginning of the 17th century. This book provides a nuanced picture of the interaction among artists in a series of collaborative projects and an original and thoughtful analysis of patronage in Mughal India. More

Eccentric Visions: The Worlds of Luo Ping (1733–1799)

Known today as the youngest of the remarkable "Eight Eccentrics of Yangzhou", Luo Ping was one of the most versatile, original, and celebrated artists in eighteenth-century China. This accompanies an exhibition at the Metropolitan Museum, New York, of works drawn primarily from leading museums in China, and will include rarely seen masterpieces as well as overlooked or unpublished works to provide a broad spectrum of Luo’s multiple talents and extraordinary pictorial prowess. More

Odd Men Out: Unique Works of Art by Individualist Japanese Artists

This book explores the surprising heights of the idiosyncratic lone Japanese artist, the odd man out, experimenting his way through the fine arts and laying his own pathway forwards as he did. It is intended as a joyous celebration of his genius. Dating from the late 17th to the early 20th century, 69 special and individual works of painting, sculpture, ceramic, lacquer, fancy metalwork and a striking selection of pipecases and their sagemono, inro and netsuke in various materials, are catalogued with beautiful photography and detailed descriptions. More

Nly Fittings: Japanese Sword Furniture from an Old English Collection

This book examines how with the Japanese craftsman's intuitive sense of aesthetics and design the tsuba's utilitarian origins reached into the realms of fine art. The collection paints a picture of the Japanese tsubako, successfully representing both classic and everyday tsuba and fittings, work of the exacting levels demanded by the Daimyo and their samurai. More

Meetings With Remarkable Netsuke: 108 Masterpieces Selected from Private Collections

The biggest, the best and theoretically the final volume in Sydney L. Moss gallery's trilogy of superior netsuke publications, regarded by some authorities as the finest offering of select netsuke in living memory. Over 300 colour photographs of consistently excellent works. More

Japanese Netsuke: Serious Art: Outstanding Works Selected from American Collections

A comprehensive survey of the major schools and masters in 66 fine examples, this catalogue is an indication of the developing serious interest in netsuke. Several full-colour photographs of each work, taken from every useful angle, accompany educative and entertaining text. More

Outside the Box: Further Explorations in Japanese Netsuke and Lacquer

Amongst the netsuke in this catalogue are many 18th-century rarities, including several large, mostly anonymous, figures in ivory and wood from Japanese legend, as well as important examples by Tametaka, Koyoken Yoshinaga, Tomotada and Masanao of Kyoto. Amongst masterpieces from the 19th century are four Otoman, two Ikkyu and a Tomokazu group of three rats. There are 17 ojime in various materials, many of them signed; pipecases of rare quality; some unusual spectacle cases; and inro in laquer and metal. The catalogue is rounded off by five extraordinary lacquer boxes by Ritsuo, the others by Koami Choko, Koma Kyuhaku and Oyama. More

More Things: In Heaven and Earth

Made from scraps and slivers of wood, ivory, bone, stag-antler and metal, netsuke developed from a simple utilitarian toggle worn at the belt into a fine art. Some of it made geniuses. This book brings together prime examples of these delightful treasures – a rare and perfectly formed horse by Masanao of Kyoto; an extraordinary Ashinaga and Tenaga by Totenko; a fine study of a running boar with a snake upon its back, a masterpiece by Naito Toyomasa. More

Escape from the Dusty World: Chinese Paintings and Literati Works of Art

Literati material finds its way into parts of the brain which regular works of antiquity cannot reach; the convoluted twists of cunning poetic allusions, themselves referring back and further back, to old writings, inscriptions on stone, legendary heroes and their mottoes, and not infrequent misquotes, can catch the unwary seeker after meaning in their complex web, causing him to lose all sense of afternoons and sometimes days. While one can admire Chinese literati works for their purely visual appeal and intimate, personable presence, it is their literary content that renders them so endlessly individual and subjective of interpretation. More

Between Heaven and Earth: Secular and Divine Figural Images in Chinese Paintings and Objects

The extensively researched, in-depth, full-colour catalogue features a painstaking selection of 19 paintings and 47 'literati-taste' objects. The emphasis of all of them is on the extraordinary range of Chinese figural representation, with its tendency to humanize divine images and idealize secular figures, so that they meet somewhere in the middle as 'informal icons'. More