Cloth, jacketed, 300 x 240 mm portrait, 200 colour illustrations, 304 pages
PRICE: £60.00
ISBN: 9781903470435
Customers in the US or Canada, CLICK HERE
Philip IV of Spain (ruled 1621-1665) was known as the 'Planet King', shining brightly in the universe of the arts even if the Golden Age of Spanish painting coincided with imperial decline. The Buen Retiro Palace surpassed any palace ever built in Europe for the collection of paintings it contained, most of them commissioned in the 1630s from the finest painters in Europe at the time - Velázquez and Zurbarán, Rubens, Claude, Poussin, Jan Both, Herman van Swaneveld, Domenichino, Lanfranco and others.
This magnificent catalogue contains a mouthwatering display of paintings by these masters, and studies in particular the Battle Paintings and Hercules series of the throne room (Hall of Realms), the Landscape Gallery, and the hitherto virtually unknown History of Rome cycle. Many of these works are already very famous (e.g. Velazquez's Surrender at Breda), but are seen now in their original context, while others have remained unidentified until now in the Prado's storerooms.
Accompanies the landmark exhibition at the Prado, Madrid, July-November 2005.
Jonathan Brown and John Elliott are well known for their landmark publication on the Buen Retiro Palace in Madrid. In this catalogue accompanying a major exhibition at the Prado Museum in the summer of 2005, they summarize and add details to their earlier research. The other authors break new ground in their further exploration of the extraordinary collection of masterpieces, old and new, for the Buen Retiro - Giovanna Capitelli writing on the landscapes by Claude, Poussin, Lemaire and others, Álvarez Lopera on a new reconstruction of the Hall of Realms, Úbeda de los Cobos on the rediscovered History of Rome cycle.
This book is about a family tree: the line of descent that can be traced from Perugino in Italy in the fifteenth century to Edouard Manet in France in the nineteenth. It is not the usual kind of genealogy, of those connected by blood, more an ‘apostolic succession’, following the way in which art in Europe was taught, from one generation to the next, from 1480 to 1880. More
Seldom has there been a gift of equal magnificence. In 1947 the 7th Duke of Wellington presented to the nation his London residence – Apsley House – together with a large part of its contents, the collection of the 1st Duke. Among the paintings are some of the finest canvases from the Spanish Royal Collection, captured by the 1st Duke of Wellington from Joseph Bonaparte in 1813. There are also important seventeenth-century Dutch paintings bought by the 1st Duke himself, as well as a series of French and British portraits of his illustrious contemporaries and depictions of battle scenes, which provide a visual record of the Napoleonic period. More
Over the course of the last forty years art historian Jonathan Brown has done more than anyone to reform our approach to the art of the Hispanic world between the age of El Greco and Velazquez and that of Goya. More
The group of about one hundred French bronzes in the Wallace Collection is justly considered one of the finest such collections in the world. Fifty-one of the best are featured in this book, the first in-depth study of the subject in English. More
Celebrating the 250th anniversary of the opening of the Hunterian Museum in Glasgow in 2007, this book provides a full study both of William Hunter - the many-faceted surgeon/connoisseur - and of his collection of art, which not only contains a number of outstanding masterpieces, such as a Rembrandt, but also provides a revealing snapshot of the taste of the period. While illuminating this crucial transitional period in British art, the book is at the same time a catalogue of the Hunterian collection. More
This book is first published to accompany the major exhibition at Compton Verney, ‘The Artist’s Studio’, staged at this great Adam-designed country house in Warwickshire. This rarely studied subject is covered in expert essays based upon new research from the late sixteenth century to the present day, focusing upon artists from Rembrandt and Courbet, via Rossetti and Cézanne to Lucian Freud and Francis Bacon. More
Celebrating the Beckett Centenary. Awarded third prize by The Art Newspaper/Axa Art Prize for best catalogue of the year published in the UK - "admired for the quantity of new material it presented about Beckett himself and the worlds of literature and visual arts". More