224 pages, paperback, 270 x 240 mm, 75 colour, 75 b/w illustrations
PRICE: £25.00
ISBN: 978 1 898519 19 5
‘Dutch Italianate painting' is an important as well as appealing strand of landscape painting in the seventeenth century. Some of the artists who practised it - Jan Both, Jan Asselyn, Jan Baptist Weenix, Nicolaes Berchem - had visited Italy, others, most famously Aelbert Cuyp, had not. Both groups produced utterly distinctive visions of golden light and bluer skies, of happier peasants, of more evocative ruins, and yet both were as Dutch as Ruysdael or Rembrandt, and need to be considered as an integral part of the history of Dutch art.
What was the nature of the appeal of these paintings? How was the fascination of a life lived by peasants, travellers and shepherds descended from Virgil's conveyed, when these painters eschewed nymphs and fauns but observed real life, human and animal, with Netherlandish naturalism? Excellent plates give the savour of the crisp and fatty brushwork of these skilful and influential painters, who have been unjustly sidelined as not true to their own land and weather.
Laurie B. Harwood has previously written a monograph on Adam Pynacker.
Distributed for Dulwich Picture Gallery
Salvator Rosa was one of the boldest and most powerfully inventive artists and personalities of the Italian 17th century. In Britain he is now best known for his wild landscapes, those scenes of which Horace Walpole so memorably wrote: “Precipices, mountains, torrents, wolves, rumblings – Salvator Rosa”. But Rosa was far more than this... More
Accompanying a unique exhibition at Dulwich Picture Gallery, London, of the work of Nicolas Poussin and Cy Twombly, who sadly died on 5 July this year, this book is "so unusual and its theme so enduringly relevant, especially now, that it truly should not be missed" (The Spectator). More
The most individual English architect since Vanbrugh, Sir John Soane was a Romantic classicist, known for his experimental interest in effects of light and space. Dulwich Picture Gallery is one of the few intact creations of his genius, not only remarkably preserved but still serving the function for which it was built, as a picture gallery (as such highly influential ever since). More
In the 1930s William Heath Robinson (1872–1944) was known as “The Gadget King” and he is still most widely remembered for his wonderful humorous drawings and illustrations. This book, containing over 100 of his finest, accompanied the first exhibition ever held of William Heath Robinson’s work as illustrator as well as humourist. More