Renaissance
Prince Henry Revived: Image and Exemplarity in Early Modern England
312 pages, hardback, 240 x 168 mm, 50 illustrations
PRICE: £40.00
ISBN: 9781903470572
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Edited by Timothy Wilks. Essays by Gilles Bertheau, John A. Buchtel, Elizabeth Goldring, Alexander Marr, Gregory McNamara, Michelle O’Callaghan, Aysha Pollnitz, D.J.B. Trim, Michael Ullyot, Gail Capitol Weigl and Timothy Wilks
There can be few examples of intensive fashioning and self-fashioning by a Renaissance figure more remarkable than Prince Henry (1594-1612). Two decades after the appearance of Roy Strong's revelatory Henry Prince of Wales and England's Lost Renaissance this collection of essays re-examines the extraordinary artistic and cultural response to Prince Henry and presents many new findings in the context of recent scholarship.
In the present age, in which anti-heroes are preferred to heroes exemplifying virtue and honour, and in which 'idols' are raised in the expectation that they will sooner or later fall, the investment of great hopes in Prince Henry, and the extreme importance attached to the creation of a fitting image for him, extending even to its posthumous development, indicate that early modern society regarded its leaders very differently from our own.
This illuminated manuscript, a gradual of large size which the whole congregation of monks could see and read as they sang in choir (just as they are shown doing in an illustration in the manuscript itself), was previously unknown to scholars and has only recently come to light. It was clearly produced for a monastery of the Olivetan order, a branch of the Benedictines with a particular reverence for the Virgin Mary – probably Santa Maria di Baggio near Milan. More
Accompanying an exhibition at The Courtauld Gallery, this catalogue explores one of the most important and historically neglected art forms of Renaissance Florence: cassoni – pairs of chests that were lavishly decorated with precious metals and elaborate paintings and were often the most expensive of a whole suite of decorative objects commissioned to celebrate marriage alliances between powerful families. More
A very handsome addition to any art library" (Art Times)
"There is a wealth of information, scholarly insight, and sound reasoning in this work, which serves as both a tribute to one man and a contribution to art history." (Library Journal Reviews) More
The portly figure of Henry VIII depicted by Holbein may be very familiar, but this book reveals much more about the portrait, the sitter, the artist and his workshop. It gathers together and analyses the several copies and variants of Holbein’s Whitehall cartoon of Henry VIII, more than one of which is by the only significant painter immediately after Holbein in England, Hans Eworth. More
