144 pages, paperback, 255 x 245 mm portrait, over 100 colour illustrations
PRICE: £24.99
ISBN: 978 1 898519 23 2
In the 1930s William Heath Robinson (1872-1944) was known as "The Gadget King" and he is still most widely remembered for his wonderful humorous drawings and illustrations. This book, containing over 100 of his finest, accompanied the first exhibition ever held of William Heath Robinson's work as illustrator as well as humourist.
Robinson's ambition was to become a landscape painter but he realised that such painting would not pay the bills, so he followed his brothers into book illustration, where his reputation was rapidly established.
The creator of inimitable illustrations for poetry by Poe and Kipling, Andersen's Fairy Tales, A Midsummer Night's Dream, de la Mare's Peacock Pie, The Water Babies and Perrault's Fairy Tales, he is ranked alongside Rackham and Dulac, achieving classic status around the world.
He is also loved for the children's books that he both wrote and illustrated, The Adventures of Uncle Lubin and Bill the Minder.
Heath Robinson is perhaps best remembered for the highly ingenious contraptions he depicted, and these are well represented in this volume.
Geoffrey Beare is Chairman of the Imaginative Book Illustration Society (IBIS) and an authority on the work of William Heath Robinson, which he has been collecting since 1971. He is a Trustee of the William Heath Robinson Trust.
This is the catalogue of an important collection of works on paper, mostly in colour, by Wyndham Lewis, spanning his entire career, through Vorticism and out the other side. It includes many drawings that have never been seen or published before, from private collections. More
Cecil Collins (1908–1989) is arguably one of the greatest English visionary artists since Blake and Palmer. 'In Celebration of Cecil Collins' creates a centenary portrait of the artist, a mosaic in word form, through the reflections and memories of his friends, admirers and students. More
Born in 1926, Peter Coker was elected RA in 1972; his substantial output of acknowledged work was recently commemorated in a catalogue raisonné. Since a stroke in 1990 his work has been severely impaired, but the chance discovery of some earlier drawings sparked this ‘explosion of creativity’, consisting of mixed media works, large oil paintings, lithographs and a series of etchings, The Parisian Suite. More
Together with important First Nations material, the Thomson Canadian Collection is the largest of all private holdings of Canadian art. There are rare and incomparable examples of Northwest Coast Aboriginal art. Krieghoff’s inspired accounts of life in the Canadas, prior to Confederation, bring the light and atmosphere of history fully into the present. A staggering power to capture the fleeting and the fugitive in paint still distinguishes the work of the early 20th-century painter Morrice... More
This is the first publication devoted to Walter Sickert’s remarkable group of paintings of female nudes produced in and around Camden Town between 1905 and 1912 and now considered to be among his most important and provocative works. More
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There was no bigger issue in the twentieth century than housing. In peace or war, people need homes, and a growing population and demands for better standards put architects, planners and sociologists to work. The century was known for its public housing, culminating in the tower blocks that once peppered major cities such as Birmingham and Glasgow, now fast disappearing. More
AVAILABLE SPRING 2010. This radical re-examination of one of the crucial periods of modern British and Irish art demolishes the idea that control of the art world passed after the War from rich individuals to faceless state institutions. More
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"Featuring more than 100 beautifully reproduced paintings, this handsome and informative volume fills a serious gap in the study of modern British art and should be included in all strong art collections", Library Journal Reviews More
This is the first book to consider Lewis’s drawing as a distinct contribution to his art, despite the importance he attributed to draughtsmanship. Lewis wrote that the line in drawing was nothing less than “the bone beneath the pulp”. “It is more difficult upon a piece of white paper ... to deceive the expert spectator than it is with a lot of oil paint upon a canvas.” This book traces his drawing from youthful figure studies and portraits to the surreal abstractions and dreamscapes of his later years. More
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AVAILABLE FOR PRE-PUBLICATION ORDER (TO BE PUBLISHED APRIL 2010). This is the revised and updated edition of a book that originally accompanied the first retrospective exhibition of de László since his death in 1937, It illustrates a rich and representative selection of his work, drawn from a range of private collections, and, aided by stunning colour plates, and re-introduces this well-known but little studied artist to a wider public. More
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