Old Masters
The Artist's Studio
128 pages, paperback, 297 x 210 mm, 70 colour illustrations
PRICE: £20.00
ISBN: 978 0 955406 33 1
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Edited by Giles Waterfield
This book is first published to accompany the major exhibition at Compton Verney, ‘The Artist’s Studio’, staged at this great Adam-designed country house in Warwickshire.
This rarely studied subject is covered in expert essays based upon new research from the late sixteenth century to the present day, focusing upon artists from Rembrandt and Courbet, via Rossetti and Cézanne to Lucian Freud and Francis Bacon. A mass of spectacular colour images illustrate the story, including major works of art and important photographs showing the likes of Andy Warhol, Frank Auerbach and Lucian Freud at work. A special feature is the inclusion of illustrations of the original works of art by several contemporary artists that were specially commissioned the explore the theme of the exhibition.
The book is written in a lively and accessible manner, yet presents a cutting-edge and scholarly account of this fascinating subject.
Celebrating the 250th anniversary of the opening of the Hunterian Museum in Glasgow in 2007, this book provides a full study both of William Hunter - the many-faceted surgeon/connoisseur - and of his collection of art, which not only contains a number of outstanding masterpieces, such as a Rembrandt, but also provides a revealing snapshot of the taste of the period. While illuminating this crucial transitional period in British art, the book is at the same time a catalogue of the Hunterian collection. More
This book is about a family tree: the line of descent that can be traced from Perugino in Italy in the fifteenth century to Edouard Manet in France in the nineteenth. It is not the usual kind of genealogy, of those connected by blood, more an ‘apostolic succession’, following the way in which art in Europe was taught, from one generation to the next, from 1480 to 1880. More
The group of about one hundred French bronzes in the Wallace Collection is justly considered one of the finest such collections in the world. Fifty-one of the best are featured in this book, the first in-depth study of the subject in English. More
Seldom has there been a gift of equal magnificence. In 1947 the 7th Duke of Wellington presented to the nation his London residence – Apsley House – together with a large part of its contents, the collection of the 1st Duke. Among the paintings are some of the finest canvases from the Spanish Royal Collection, captured by the 1st Duke of Wellington from Joseph Bonaparte in 1813. There are also important seventeenth-century Dutch paintings bought by the 1st Duke himself, as well as a series of French and British portraits of his illustrious contemporaries and depictions of battle scenes, which provide a visual record of the Napoleonic period. More
Celebrating the Beckett Centenary.
Awarded third prize by The Art Newspaper/Axa Art Prize for best catalogue of the year published in the UK - "admired for the quantity of new material it presented about Beckett himself and the worlds of literature and visual arts". More
AVAILABLE APRIL 2010. Over the course of the last forty years art historian Jonathan Brown has done more than anyone to reform our approach to the art of the Hispanic world between the age of El Greco and Velazquez and that of Goya. More
