340 x 220 mm, hardback, 254 pages, over 200 illustrations
PRICE: £75.00
ISBN: 978 1 903470 53 4
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The Shahnama (‘Book of Kings’), which chronicles the history of Iran from the Creation to the Islamic conquest, was written by the poet Firdawsi at the turn of the 11th century. Its central importance to Iranian culture is reflected in the thousands of copies made since then, many superbly illustrated and produced for royal and other powerful patrons. One of these copies, presented to Queen Victoria in 1839, is one of the finest treasures among the collection of Islamic manuscripts now in the Royal Library at Windsor Castle. Its 148 colourful images, which are in superb condition, show heroes, mythical beasts and bloody combats and are complemented by particularly sumptuous marginal illumination in gold.
B.W. Robinson relates the history of the Shahnama’s composition, and describes the Windsor manuscript and the circumstances under which it came to Britain. He also provides a lively summary of the narrative to accompany black-and-white illustrations of every painting. Over 50 of these are also shown in full-colour plates. Eleanor Sims discusses in detail the likely attribution of the paintings in the Windsor volume, and compares other 17th-century Shahnama manuscripts; she also examines the wider cultural milieu reflected in the paintings.
The late B.W Robinson (1912–2005) was an authority on many aspects of Islamic and Japanese art. Eleanor Sims, formerly of the Metropolitan Museum of Art, New York, and the editor of Islamic Art, is an independent scholar who has written widely on Iranian art. Manijeh Bayani is a specialist in Arabic and Persian epigraphy.
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The great Persian poet Firdausi’s epic Shahnama, or ‘Books of Kings’, written at the turn of the eleventh century CE, is a seamless tapestry of historical and legendary material prominently featuring battles and individual struggles with fierce demons and enemy champions. "This book is a vital contribution to the understanding of Asiatic art, its confluences, and its narrative axes ..." (Sixteenth-Century Journal, Fall 2009) More
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This book is a complete catalogue and commentary on a remarkable series of 130 coloured drawings executed in North Italy, almost certainly Padua, in the 1450s by a group of artists in the circle of Andrea Mantegna. The drawings illustrate subjects from the Tacuinum Sanitatis or Table of Health. Subjects touched on include medicine, sport, farming, animal husbandry, natural history, shopping, cooking and manufacturing – constituting an extraordinary record of everyday life (and life style) in early Renaissance Italy. This manuscript is one of four known series of the kind, and the only one not published. More
This illuminated manuscript, a gradual of large size which the whole congregation of monks could see and read as they sang in choir (just as they are shown doing in an illustration in the manuscript itself), was previously unknown to scholars and has only recently come to light. It was clearly produced for a monastery of the Olivetan order, a branch of the Benedictines with a particular reverence for the Virgin Mary – probably Santa Maria di Baggio near Milan. More