BACK-IN-STOCK
432 pages, hardback in cloth-covered, silk lined box, 435 x 355 mm, over 1000 colour illustrations
PRICE: £200.00
ISBN: 9780953994106
Customers in the US or Canada, CLICK HERE
This extraordinary publication represents a landmark in both Tibetan studies and the art of bookmaking. It presents for the first time two magnificent eighteenth-century manuscripts illuminating in exquisite detail the essential but little-known practices of elemental divination as described in The White Beryl – an important seventeenth-century treatise written by Sangs-rgyas rGya-mtsho (1653–1705), the rekowned polymath who was regent to the Fifth Dalai Lama.
The manuscripts depict the zodiac of Indian astrology, the cakra diagrams of martial conquest, and the elaborate charts of Chinese elemental divination. Accompanying the images is a detailed summary of The White Beryl text, an extensive commentary, and the first English translation of a related text known as Moonbeams.
Meticulously researched and produced to the highest standard, this book will be of immense interest not only to Tibetan scholars but to all those fascinated by Oriental art, religions and astrology. Printed in a limited edition and on the highest quality art paper, this monumental book comes beautifully bound in a large box case. It will provide a magnificent addition to any collector’s library.
The selection consists of Qur’ans, illustrated Islamic manuscripts and scientific and religious manuscripts. All are handsomely illustrated and fully discussed. The manuscripts are from all parts of the Islamic world and represent the finest achievements of the form. More
Around 1800, an anonymous engraver in Sharanakula, a small temple place on the southern coast of Orissa, illustrated a palm-leaf anthology of love poems. The one hundred Sanskrit quatrains, which are said to be the work of the 7th-century poet Amaru, describe the behaviour of enamoured couples, their longing for each other, the lovers’ anxieties, their ecstatic joy as well as their doubts and sorrows. More
Produced for the Association Internationale de Bibliophilie, this book traces the development of the early Ottoman style under influence from their neighbours; the impact of the patronage of Sultan Mehmed the Conqueror; and the development of the ‘classical’ style under his successor Bayezid II. A catalogue section provides beautiful illustrations of 41 masterpieces of bookbinding; with technical appendices, bibliography, concordance and index. More
Given the status of the Qur‘an as the eternal and uncreated word of Allah, the art of the pen became the focus of an extraordinary energy in the Muslim world. Ink and Gold charts the development of Islamic calligraphy – the noblest, most stylized and original of the Islamic arts – over a period of some 1200 years, from its beginnings in the Arabian Peninsula. More
This catalogue discusses and illustrates a wide variety of Chinese books, dating from the sixth to the nineteenth century -- some very rare. More
Illuminator, painter, scribe, clerk, teacher, doctor of theology, restorer and binder, Mesrop was one of the greatest Armenian artists of his and following generations. He was prolific, working for at least forty-two years in Sos (New Julfa) from 1608 to 1651. This book will be the first serious study of the forty-six of his manuscripts that have survived. The focus of the book, however, is The Four Gospels, one of the few manuscripts painted entirely by Mesrop’s hand and one of the most extensively illuminated in his oeuvre. More