Islamic/Middle Eastern

AVAILABLE JULY 2012

Tombs of Paradise: The Shah-e Zende in Samarkand and Architectural Ceramics of Central Asia

250 pages, 280 x 215 mm, hardback, 204 colour and b/w illustrations
PRICE: £30.00
ISBN: 978 2 903824 43 3

 

By Jean Soustiel and Yves Porter

Photography by Antoine Lesieur

The necropolis of Shah-e Zende at Samarkand represents a summit in the art of ceramic wall coverings in the Islamic world. Few studies have focused on the funerary ensemble of the Shah-e Zende and this is the first  to describe these monuments in all the details of their decoration and its techniques and motifs, as well as the different types of ceramics used and their composition. Perched on a steep cliff overlooking the ancient city of Samarkand, today the ghost town of Afrasiyab, the necropolis remains largely unknown to art historians and certainly to the general public.

In the vast territory of Islam, the Shah-e Zende complex reveals the finest hour of facade-tile ceramics. Nowhere else was such a wide array of techniques of fabrication developed in the space of one century. In the heart of one of these mausolea is a jewel of Islamix ceramics: the cenotaph of the venerated Qutham Ibn Abbas. In this mafnificient shrine master ceramists, joined by the elite of illuminators, display an artistry rarely equalled in medium.

As Shah-e Zende offers a microcosm of the technical evolution of ceramic arts in Central Asia between the twelfth and fifteenth centuries, this work examines the individual monuments whose decoration represents steps along that ancient road. It is a study of cultural heritage, and at the same time a reference work for admirers of Islamic architecture and ceramics.

Jean Soustiel (1938–1999) began specializing in in Islamic art in 1963 and authored many auction catalogues and appeared at several conferences, notably at the Ceramics Museum of Sèvres. He was also the author of an important reference work, Islamic Ceramic (Friburg, 1985), written in collaboration with Charles Kiefer. 

Yves Porter (born in 1957) has studied many Oriental languages (Persian, Pashto, Turkish, Arabic, Urdu and Hindi) and has lived periodically in Iran and India. He holds a doctorate in Iranian studies and has published several works, as well as books for the general public.

 


The Windsor Shahnama of 1648

The Shahnama (‘Book of Kings’), which chronicles the history of Iran from the Creation to the Islamic conquest, was written by the poet Firdawsi at the turn of the 11th century. Its central importance to Iranian culture is reflected in the thousands of copies made since then, many superbly illustrated and produced for royal and other powerful patrons. One of these copies, presented to Queen Victoria in 1839, is one of the finest treasures among the collection of Islamic manuscripts now in the Royal Library at Windsor Castle. More

Islamic Manuscripts - OUT OF PRINT

The selection consists of Qur’ans, illustrated Islamic manuscripts and scientific and religious manuscripts. All are handsomely illustrated and fully discussed. The manuscripts are from all parts of the Islamic world and represent the finest achievements of the form. More

The Eckstein Shahnama: An Ottoman Book of Kings

The great Persian poet Firdausi’s epic Shahnama, or ‘Books of Kings’, written at the turn of the eleventh century CE, is a seamless tapestry of historical and legendary material prominently featuring battles and individual struggles with fierce demons and enemy champions. "This book is a vital contribution to the understanding of Asiatic art, its confluences, and its narrative axes ..." (Sixteenth-Century Journal, Fall 2009) More

Art of the Armenians

On the far Eastern edge of the Christian world – often isolated or overwhelmed by Christian cultures – the Armenians have produced a distinctive artistic tradition. The collection assembled here opens with the objects from the great medieval periods in Greater Armenia and the Kingdom of Cilicia. Later centuries are represented by paintings and books created in communities dominated by other cultures or far from the homeland, like the series of manuscripts here from Constantinople. More

Geometry in Gold: An Illuminated Mamlk Qu'ran Section

This book is devoted to a monumental and superbly illuminated very large early fourteenth-century Mamluk Qur’an in muhaqqaq script. It constitutes the final part (Juz’ 30) of a superb two-volume Qur’an of which the first volume is preserved in the National Museum in Damascus while the second volume, from which the present section originates, is widely dispersed. More

Islamic Calligraphy

The Islamic manuscripts and manuscript leaves gathered here are often of great antiquity, ranging from the eighth to the sixteenth century; most are in Kufic. There are also pottery, metalwork and woodwork examples bearing calligraphy. An impressive illustration of the many beauties of Islamic script. More

Ink and Gold: Masterpieces of Islamic Calligraphy

Given the status of the Qur‘an as the eternal and uncreated word of Allah, the art of the pen became the focus of an extra­ordinary energy in the Muslim world. Ink and Gold charts the development of Islamic calligraphy – the noblest, most stylized and original of the Islamic arts – over a period of some 1200 years, from its beginnings in the Arabian Peninsula. More