128 pages, paperback, 260 x 216 mm, 50 illustrations in colour
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ISBN: 978 1 903470 59 6
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This is the first publication devoted to Walter Sickert's remarkable group of paintings of female nudes produced in and around Camden Town between 1905 and 1912 and now considered to be among his most important and provocative works.
Sickert challenged conventional idealised treatments of the nude by setting his females models in the murky interiors of cheap lodging houses, laid out on iron bedsteads, and painted with an uncompromising realism. His shabby interiors were unmistakable to contemporary viewers as the dark realms of London's poorest working classes and his nudes played unflinchingly to middle-class fears of such ‘dens of iniquity', known as the notorious haunts of prostitutes, slum landlords and petty criminals. But Sickert also stimulated middle-class fascination with such subjects, his ‘keyhole' vantage points implicating the viewer as a voyeuristic spectator. These concerns reached their most profound expression in his so-called ‘Camden Town Murder' paintings where a clothed male figure features in the scene alongside the nude female.
Walter Sickert: The Camden Town Nudes examines in detail more than fifteen of his most important canvases together with related drawings in order to chart his development of the subject during the period.
Wendy Baron is an independant scholar and leading authority on Walter Sickert; Lisa Tickner is Visiting Professor at Courtauld Institute of Art; Barnaby Wright is Curator of at the Courtauld Gallery, London.
In association with the Courtauld Institute of Art Gallery, London
This is the first publication dedicated to the extraordinary series of paintings of London that André Derain produced at the height of his avant-garde notoriety, having been newly branded a Fauve or 'wild beast' in Paris for his uncompromising use of pure colour. More
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AVAILABLE OCTOBER 2010. Paul Cézanne’s famous series of paintings of peasants playing cards has long been considered among his most important and powerful works. The image of seated peasants, still and seeming silent, concentrating on their game of cards, can be seen as the human counterpart to the landscapes of Cézanne’s home countryside, notably Montagne Sainte-Victoire, which held such iconic significance for him. More
The Courtauld’s Adam and Eve is arguably the most beautiful of Cranach’s fifty or more depictions of this subject. It brilliantly combines devotional meaning with pictorial elegance and invention. This exhibition catalogue explores the making and meaning of this Protestant and courtly masterpiece, and the contexts in which it was made and seen. It will incorporate much conservation and technical research. More
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This book accompanied an exhibition which united La Loge for the first time with Renoir's other treatments of the subject and with loge paintings by contemporaries, including Mary Cassatt and Edgar Degas. Concentrating on the early years of Impressionism during the 1870s, the book explores how these artists used the loge to capture the excitement and changing nature of fashionable Parisian society. More
As a result of generous loans of over one hundred outstanding works of art, in 2002 the Courtauld Gallery was able to extend its collection further into the twentieth century. For the first time the Gallery was able to show historically coherent groups of works representing key developments in the art history of the early 20th century. This is the catalogue to the new display. More
This is an overdue investigation into one of the most remarkable artistic enterprises of the seventeenth century, much cited but seldom discussed, David Teniers the Younger’s publication in 1660 of the magnificent Theatrum Pictorium or Theatre of Painting, the first illustrated and printed collection catalogue. More
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