All Titles

First | Previous | 2 3 4 5 6 7 8 9 10 11 12 | Next | Last

Images in Light

Stained glass was unknown in antiquity. Invented around AD 1000, it soon achieved a dominant position in the arts of the Middle Ages, not only in churches but also in secular contexts. Its innovation can be compared with that of television – and like television it involves passing light through a transparent layer, using the light of sun instead of light generated by electricity, so that in a real sense the stained glass image is in constant motion, as the light passing through it changes. More

In Celebration of Cecil Collins: Visionary Artist and Educator

Cecil Collins (1908–1989) is arguably one of the greatest English visionary artists since Blake and Palmer. 'In Celebration of Cecil Collins' creates a centenary portrait of the artist, a mosaic in word form, through the reflections and memories of his friends, admirers and students. More

Ink and Gold: Masterpieces of Islamic Calligraphy

Given the status of the Qur‘an as the eternal and uncreated word of Allah, the art of the pen became the focus of an extraordinary energy in the Muslim world. Ink and Gold charts the development of Islamic calligraphy – the noblest, most stylized and original of the Islamic arts – over a period of some 1200 years, from its beginnings in the Arabian Peninsula. More

Inspired by Italy: Dutch Landscape Painting 1600–1700

'Dutch Italianate painting’ is an important as well as appealing strand of landscape painting in the seventeenth century. Some of the artists who practised it – Jan Both, Jan Asselyn, Jan Baptist Weenix, Nicolaes Berchem – had visited Italy, others, most famously Aelbert Cuyp, had not. More

Inspired by Soane

John Soane died in 1837 but his legacy lives on in his architecture. Today architects across the world are inspired by his magical interiors. Four outstanding contemporary architects explore Sir John Soane's house and museum and identify works and motifs of his that have insired them or that they have specificaly referenced. More

Irish Paintings in the National Gallery of Ireland

This first volume cataloguing the Irish painters in the National Gallery of Ireland in Dublin covers more than 220 paintings from the late 17th century to the early 19th century, including figures such as George Barret, James Barry, Hugh Douglas Hamilton, William Hickey, Nathaniel Hone, Charles Jervas, James Latham, Thomas Roberts and Martin Archer Shee. More

Islamic Calligraphy

The Islamic manuscripts and manuscript leaves gathered here are often of great antiquity, ranging from the eighth to the sixteenth century; most are in Kufic. There are also pottery, metalwork and woodwork examples bearing calligraphy. An impressive illustration of the many beauties of Islamic script. More

Islamic Manuscripts

The selection consists of Qur’ans, illustrated Islamic manuscripts and scientific and religious manuscripts. All are handsomely illustrated and fully discussed. The manuscripts are from all parts of the Islamic world and represent the finest achievements of the form. More

Italian Renaissance Drawings Volumes I and II

In the library of Sir John Soane’s remarkable house at 13, Lincoln’s Inn Fields, several volumes of Italian architectural drawings of the 16th and 17th centuries have remained until today one of London’s hidden treasures. They have never been catalogued before in detail. More

Jean Carpentin's Book of Hours

AVAILABLE SUMMER 2010. In the 1470s, one of the most innovative artists working in Bruges illuminated a Book of Hours for Jean Carpentin, lord of Gravile and prominent citizen of Normandy. Known as the Master of the Dresden Prayer Book after one of his other masterpieces, this artist and members of his workshop enriched the pages of Carpentin’s manuscript with miniatures, historiated initials and boldly coloured borders in which human figures, monsters and monkeys are framed by twisting branches of acanthus. More