128 pages, paperback, 260 x 216 mm, 60 colour illustrations
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ISBN: 978 1 903470 94 7
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This catalogue accompanied the first exhibition to bring together the seminal group of paintings of London building sites by Frank Auerbach (born 1931). Produced between 1952 and 1962, the paintings are among the most profound responses made by any artist to the post-war urban landscape. These works chart the early development of Auerbach’s remarkable approach to painting, for which he is celebrated as one of Britain’s greatest living artists.
Fascinated by the post-war rebuilding of London, Auerbach combed the city’s numerous building sites with his sketchbook in hand, often with his friend Leon Kossoff. He visited the major sites, including St Paul’s, Oxford Street, Leicester Square and the Shell Building on the South Bank. Auerbach vividly translates the chasms of mud and shored-up earth, scaffolding and catwalks of the building sites into works which capture a powerful sense of the destruction and reconstruction inherent in the redevelopment of London’s bomb sites.
The catalogue will present the majority of the building site paintings, drawing on public and private collections nationally and internationally. Many of these have rarely been seen before. Also reproduced will be a selection of Auerbach’s few surviving pencil sketches (most of which he destroyed) together with oil studies to reveal the artist’s complex creative process. The book offers the first comprehensive account of this extraordinary group of paintings, which are among the most important contributions to post-war painting in Britain.
This is a comprehensive introduction to the young Epstein, a study of his personality, his art, his culture, his milieu, his domestic menages, his Jewishness, his unJewishness, his vision, his lovers and again his art, for Epstein lived, starved and suffered all for his art. More
“Ormond’s narrative is… [a] combination of exhaustive investigation with delicacy of touch—of reserved thoughtfulness with visual sensitivity” – Modern Language Review. When Linley Sambourne died in 1910, a host of obituaries paid tribute to his long career as a cartoonist and his contribution to late Victorian and Edwardian political satire. A hundred years on, the distinguished 19th-century scholar Leonee Ormond has written an illuminating biography, using his own copious records preserved intact in his house at 18 Stafford Terrace, Kensington, London - now a museum. More
Cecil Collins (1908–1989) is arguably one of the greatest English visionary artists since Blake and Palmer. 'In Celebration of Cecil Collins' creates a centenary portrait of the artist, a mosaic in word form, through the reflections and memories of his friends, admirers and students. More
Born in 1926, Peter Coker was elected RA in 1972; his substantial output of acknowledged work was recently commemorated in a catalogue raisonné. Since a stroke in 1990 his work has been severely impaired, but the chance discovery of some earlier drawings sparked this ‘explosion of creativity’, consisting of mixed media works, large oil paintings, lithographs and a series of etchings, The Parisian Suite. More
"Featuring more than 100 beautifully reproduced paintings, this handsome and informative volume fills a serious gap in the study of modern British art and should be included in all strong art collections", Library Journal Reviews More
There was no bigger issue in the twentieth century than housing. In peace or war, people need homes, and a growing population and demands for better standards put architects, planners and sociologists to work. The century was known for its public housing, culminating in the tower blocks that once peppered major cities such as Birmingham and Glasgow, now fast disappearing. More
"...a memorable and beautiful reminder of the outstanding abilities of this truly great Irish artist". (Bruce Arnold, Irish Independent) The best known of the Official War Artists sent to France, Orpen was the only one to publish an extensive memoir of his experiences and observations. He was a talented writer, and his accounts of the last two years of the Great War and the Peace Conference that followed it are vivid, lucid and shrewd. The book ends with a passionate indictment of politicians and their mismanagement of the War, and the rapidity with which the ordinary soldier was forgotten. This compelling book was first published in 1921. More
Robin Hood Gardens in Tower Hamlets, East London, was designed by Alison + Peter Smithson and completed in 1972. In 2008, this large social housing scheme was threatened with demolition and became a controversial conservation case. This book uncovers the history of the project, arguing for its historical and architectural significance and for its future role in housing provision. More
Accompanying an exhibition at The Courtauld Gallery, London, this publication is the first to celebrate the important creative collaboration between the artist Henri Toulouse-Lautrec (1864–1901) and his muse, the dancer Jane Avril (1868–1943). Avril was one of the stars of Moulin Rouge in the 1890s, and was nicknamed ‘La Mélinite’ after a form of explosive. More
This is the first publication devoted to Walter Sickert’s remarkable group of paintings of female nudes produced in and around Camden Town between 1905 and 1912 and now considered to be among his most important and provocative works. More
In the 1930s William Heath Robinson (1872–1944) was known as “The Gadget King” and he is still most widely remembered for his wonderful humorous drawings and illustrations. This book, containing over 100 of his finest, accompanied the first exhibition ever held of William Heath Robinson’s work as illustrator as well as humourist. More
As a result of generous loans of over one hundred outstanding works of art, in 2002 the Courtauld Gallery was able to extend its collection further into the twentieth century. For the first time the Gallery was able to show historically coherent groups of works representing key developments in the art history of the early 20th century. This is the catalogue to the new display. More
“A clean and solid mosaic of thick paint in a light key” was a phrase aptly used by the leader of the Camden Town Group of artists, Walter Sickert, to describe the painting of this Edwardian group, who depicted their tea-and-cake world in a comparatively timid, but subtle and charming, Post-Impressionist style. More
Stanley Spencer (1891–1959) is perhaps best known for his mystical biblical scenes and candid self-portraits, but it was his magnificent paintings of gardens, houses and landscapes, set in the small alleys and overgrown backyards of his home village of Cookham, which proved more popular during his lifetime. Published to accompany an exhibition at Compton Verney, Warwickshire, this book is the first to focus specifically on Spencer’s landscape paintings, and to consider them as a group, rather than as punctuation marks between the figure paintings. More
Save £15 when you buy these two beautiful and highly popular books on Philip de László, one of the most important artists of the 20th century. Reprinted owing to demand, A Brush with Grandeur was originally published to accompany the first retrospective of the artist's work since his death in 1937. In De László in Holland, the wonderful but little-known portraits of Holland's cosmopolitan aristocratic and entrepreneurial families, many of which have remained in the families’ private collections, are here published for the first time. More
Together with important First Nations material, the Thomson Canadian Collection is the largest of all private holdings of Canadian art. There are rare and incomparable examples of Northwest Coast Aboriginal art. Krieghoff’s inspired accounts of life in the Canadas, prior to Confederation, bring the light and atmosphere of history fully into the present. A staggering power to capture the fleeting and the fugitive in paint still distinguishes the work of the early 20th-century painter Morrice... More
This is the first book to consider Lewis’s drawing as a distinct contribution to his art, despite the importance he attributed to draughtsmanship. Lewis wrote that the line in drawing was nothing less than “the bone beneath the pulp”. “It is more difficult upon a piece of white paper ... to deceive the expert spectator than it is with a lot of oil paint upon a canvas.” This book traces his drawing from youthful figure studies and portraits to the surreal abstractions and dreamscapes of his later years. More
This is the revised and updated edition of a book that originally accompanied the first retrospective exhibition of de László since his death in 1937. It illustrates a rich and representative selection of his work, drawn from a range of private collections, and, aided by stunning colour plates, re-introduces this well-known but little studied artist to a wider public. More
This is the revised and updated edition of a book that originally accompanied the first retrospective exhibition of de László since his death in 1937. It illustrates a rich and representative selection of his work, drawn from a range of private collections, and, aided by stunning colour plates, re-introduces this well-known but little studied artist to a wider public. More
This book accompanies an exhibition at The Courtauld Gallery, London, that will be the first to offer a comprehensive account of the parallel artistic paths charted by Piet Mondrian and Ben Nicholson during the 1930's. It will bring together an extraordinary group of paintings and reliefs to show how each artist was driven by a profound belief in the potential of abstract art to attain the highest aestethic and spiritual power. More
2002 was the centenary of Danish architect and designer Arne Jacobsen's birth (1902–1971). The Museum of Modern Art in Oxford celebrated Jacobsen's enduring importance by presenting a new exhibition which aimed to introduce to a wider audience aspects of his work as an architect and designer. More
This is the first publication dedicated to the extraordinary series of paintings of London that André Derain produced at the height of his avant-garde notoriety, having been newly branded a Fauve or 'wild beast' in Paris for his uncompromising use of pure colour. More
Paul Cézanne’s famous series of paintings of peasants playing cards has long been considered among his most important and powerful works. The image of seated peasants, still and seeming silent, concentrating on their game of cards, can be seen as the human counterpart to the landscapes of Cézanne’s home countryside, notably Montagne Sainte-Victoire, which held such iconic significance for him. More
This radical re-examination of one of the crucial periods of modern British and Irish art demolishes the idea that control of the art world passed after the War from rich individuals to faceless state institutions. More
This is the catalogue of an important collection of works on paper, mostly in colour, by Wyndham Lewis, spanning his entire career, through Vorticism and out the other side. It includes many drawings that have never been seen or published before, from private collections. More