280 x 245 mm, cloth/hardback, 192 pages, 150 illustrations in colour
PRICE: £30.00
ISBN: 9781903470312
William Hunter (1718–83) was an outstanding figure of his time, not only as a surgeon and doctor who successfully delivered six royal children to George III and Queen Charlotte, but also as Professor of Anatomy at the Royal Academy of Arts. His involvement in the arts, as a result of which he became intimate with Hogarth, Ramsay, Stubbs and Reynolds, stemmed from his pursuit of medical illustrations. He founded the first public museum in Scotland, the present Hunterian Museum in Glasgow, and bequeathed to it his remarkable collection of paintings, prints, drawings, coins, classical vases, medals, books and curiosities.
Celebrating the 250th anniversary of the opening of the Hunterian Museum in Glasgow in 2007, this book provides a full study both of this many-faceted surgeon/connoisseur and of his collection of art, which not only contains a number of outstanding masterpieces, such as a Rembrandt, but also provides a revealing snapshot of the taste of the period. While illuminating this crucial transitional period in British art, the book is at the same time a catalogue of the Hunterian collection.
Contributors: Peter Black, curator at the Hunterian Museum, Glasgow; Mungo Campbell, Deputy Director; Anne Dulau, curator; Helen McCormack, has a Paul Mellon grant to research William Hunter.
Published to celebrate the 250th anniversary of the opeing of the Huntarian Museum
Celebrating the Beckett Centenary. Awarded third prize by The Art Newspaper/Axa Art Prize for best catalogue of the year published in the UK - "admired for the quantity of new material it presented about Beckett himself and the worlds of literature and visual arts". More
The group of about one hundred French bronzes in the Wallace Collection is justly considered one of the finest such collections in the world. Fifty-one of the best are featured in this book, the first in-depth study of the subject in English. More
This book is about a family tree: the line of descent that can be traced from Perugino in Italy in the fifteenth century to Edouard Manet in France in the nineteenth. It is not the usual kind of genealogy, of those connected by blood, more an ‘apostolic succession’, following the way in which art in Europe was taught, from one generation to the next, from 1480 to 1880. More